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Dust and Other Stories / T'aejun Yi.

By: Contributor(s): Material type: TextTextSeries: Weatherhead Books on AsiaPublisher: New York, NY : Columbia University Press, [2018]Copyright date: ©2018Description: 1 online resource : no artContent type:
Media type:
Carrier type:
ISBN:
  • 9780231185806
  • 9780231546348
Subject(s): DDC classification:
  • 895.73/4 23
LOC classification:
  • PL991.9.T3 A2 2018
  • PL991.9.T3 A2 2018
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- TRANSLATOR’S ACKNOWLEDGMENTS -- TRANSLATOR’S INTRODUCTION -- Omongnyŏ -- Mr. Son, of Great Wealth -- The Rainy Season -- The Broker’s Office -- The Frozen River P’ae -- A Tale of Rabbits -- The Hunt -- Evening Sun -- Unconditioned -- Before and After Liberation: A Writer’s Notes -- Tiger Grandma -- Dust -- GLOSSARY
Summary: Yi T’aejun was one of twentieth-century Korea’s true masters of the short story—and a man who in 1946 stunned his contemporaries by moving to the Soviet-occupied northern zone of his country. In South Korea, where he is known today as “one who went north,” Yi’s work was banned until 1988. His momentous decision did not lead him to a safe haven, however: though initially welcomed into the literary establishment, North Korea sent him into internal exile in the 1950s, and little is known of his fate.Dust and Other Stories offers a selection of Yi’s stories across time and place, showcasing a superb stylist caught up in the midst of his era’s most urgent ideological and aesthetic divides. This collection unites his earlier modernist masterpieces from the colonial era with his little-known work penned during North Korea’s founding years, offering a rare glimpse into the making—and crossing—of the border between south and north. During the turbulent final years of Japanese rule, Yi’s elegant yet subdued stories championed both his native tongue and the belief in the capacity of art. In the heavily politicized environment of the North, his later works maintain a faith in the art of storytelling and a concern for the disappearance of customs in the throes of modernization. Throughout both eras, Yi focused on ordinary people: old men struggling to understand a changing world, lovers meeting up among ancient ruins, a lively widow targeted by a literacy campaign, a bourgeois couple trying to sustain themselves during the war by breeding rabbits, and more. Magnificently translated by Janet Poole, Yi’s work bears witness to global turmoil with a melancholic sense of enduring beauty.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780231546348

Frontmatter -- CONTENTS -- TRANSLATOR’S ACKNOWLEDGMENTS -- TRANSLATOR’S INTRODUCTION -- Omongnyŏ -- Mr. Son, of Great Wealth -- The Rainy Season -- The Broker’s Office -- The Frozen River P’ae -- A Tale of Rabbits -- The Hunt -- Evening Sun -- Unconditioned -- Before and After Liberation: A Writer’s Notes -- Tiger Grandma -- Dust -- GLOSSARY

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Yi T’aejun was one of twentieth-century Korea’s true masters of the short story—and a man who in 1946 stunned his contemporaries by moving to the Soviet-occupied northern zone of his country. In South Korea, where he is known today as “one who went north,” Yi’s work was banned until 1988. His momentous decision did not lead him to a safe haven, however: though initially welcomed into the literary establishment, North Korea sent him into internal exile in the 1950s, and little is known of his fate.Dust and Other Stories offers a selection of Yi’s stories across time and place, showcasing a superb stylist caught up in the midst of his era’s most urgent ideological and aesthetic divides. This collection unites his earlier modernist masterpieces from the colonial era with his little-known work penned during North Korea’s founding years, offering a rare glimpse into the making—and crossing—of the border between south and north. During the turbulent final years of Japanese rule, Yi’s elegant yet subdued stories championed both his native tongue and the belief in the capacity of art. In the heavily politicized environment of the North, his later works maintain a faith in the art of storytelling and a concern for the disappearance of customs in the throes of modernization. Throughout both eras, Yi focused on ordinary people: old men struggling to understand a changing world, lovers meeting up among ancient ruins, a lively widow targeted by a literacy campaign, a bourgeois couple trying to sustain themselves during the war by breeding rabbits, and more. Magnificently translated by Janet Poole, Yi’s work bears witness to global turmoil with a melancholic sense of enduring beauty.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)