Library Catalog
Amazon cover image
Image from Amazon.com

Drugs, Thugs, and Divas : Telenovelas and Narco-Dramas in Latin America / O. Hugo Benavides.

By: Material type: TextTextPublisher: Austin : University of Texas Press, [2021]Copyright date: ©2008Description: 1 online resource (245 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780292794665
Subject(s): DDC classification:
  • 791.45/6
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- Acknowledgments -- One. Melodrama as Ambiguous Signifier: Latin American Telenovelas and Narco-Dramas -- Part One -- Two. Seeing Xica and the Melodramatic Unveiling of Colonial Desire -- Three. Producing the Global West through Latin Tales of Seduction and Envy -- Four. Karen’s Seduction: The Racial Politics of Appropriate Dinner Guests -- Five. A Mother’s Wrath and the Complex Disjuncturing of Class -- Part Two -- Six. Being Narco: The Evolution of a Continental Sensibility -- Seven. Saintly Figures and Icons: The Migration of a Continental Dream -- Eight. La Reina del Sur: Gender, Racial, and National Contestations of Regional Identity -- Nine. Sex, Drugs, and Cumbia: The Hybrid Nature of Culture -- Ten. Conclusion: The Postcolonial Politics of Melodrama -- Postscript. Ugly Betty -- References -- Index
Summary: Soap opera speaks a universal language, presenting characters and plots that resonate far beyond the culture that creates them. Latin American soap operas—telenovelas—have found enthusiastic audiences throughout the Americas and Europe, as well as in Egypt, Russia, and China, while Mexican narco-dramas have become highly popular among Latinos in the United States. In this first comprehensive analysis of telenovelas and narco-dramas, Hugo Benavides assesses the dynamic role of melodrama in creating meaningful cultural images to explain why these genres have become so successful while more elite cultural productions are declining in popularity. Benavides offers close readings of the Colombian telenovelas Betty la fea (along with its Mexican and U.S. reincarnations La fea más bella and Ugly Betty), Adrián está de visita, and Pasión de gavilanes; the Brazilian historical telenovela Xica; and a variety of Mexican narco-drama films. Situating these melodramas within concrete historical developments in Latin America, he shows how telenovelas and narco-dramas serve to unite peoples of various countries and provide a voice of rebellion against often-oppressive governmental systems. Indeed, Benavides concludes that as one of the most effective and lucrative industries in Latin America, telenovelas and narco-dramas play a key role in the ongoing reconfiguration of social identities and popular culture.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780292794665

Frontmatter -- CONTENTS -- Acknowledgments -- One. Melodrama as Ambiguous Signifier: Latin American Telenovelas and Narco-Dramas -- Part One -- Two. Seeing Xica and the Melodramatic Unveiling of Colonial Desire -- Three. Producing the Global West through Latin Tales of Seduction and Envy -- Four. Karen’s Seduction: The Racial Politics of Appropriate Dinner Guests -- Five. A Mother’s Wrath and the Complex Disjuncturing of Class -- Part Two -- Six. Being Narco: The Evolution of a Continental Sensibility -- Seven. Saintly Figures and Icons: The Migration of a Continental Dream -- Eight. La Reina del Sur: Gender, Racial, and National Contestations of Regional Identity -- Nine. Sex, Drugs, and Cumbia: The Hybrid Nature of Culture -- Ten. Conclusion: The Postcolonial Politics of Melodrama -- Postscript. Ugly Betty -- References -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Soap opera speaks a universal language, presenting characters and plots that resonate far beyond the culture that creates them. Latin American soap operas—telenovelas—have found enthusiastic audiences throughout the Americas and Europe, as well as in Egypt, Russia, and China, while Mexican narco-dramas have become highly popular among Latinos in the United States. In this first comprehensive analysis of telenovelas and narco-dramas, Hugo Benavides assesses the dynamic role of melodrama in creating meaningful cultural images to explain why these genres have become so successful while more elite cultural productions are declining in popularity. Benavides offers close readings of the Colombian telenovelas Betty la fea (along with its Mexican and U.S. reincarnations La fea más bella and Ugly Betty), Adrián está de visita, and Pasión de gavilanes; the Brazilian historical telenovela Xica; and a variety of Mexican narco-drama films. Situating these melodramas within concrete historical developments in Latin America, he shows how telenovelas and narco-dramas serve to unite peoples of various countries and provide a voice of rebellion against often-oppressive governmental systems. Indeed, Benavides concludes that as one of the most effective and lucrative industries in Latin America, telenovelas and narco-dramas play a key role in the ongoing reconfiguration of social identities and popular culture.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)