Library Catalog
Amazon cover image
Image from Amazon.com

The Jewess Pallas Athena : This Too a Theory of Modernity / Barbara Hahn.

By: Material type: TextTextPublisher: Princeton, NJ : Princeton University Press, [2021]Copyright date: ©2005Description: 1 online resource (248 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781400826582
Subject(s): DDC classification:
  • 305.48/8924043 22
LOC classification:
  • PT74 .H34 2005eb
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- The Jewess Pallas Athena -- Breaks in Tradition -- "Egyptian Style" -- The Myth of the Salon -- "Cries into the Void" -- The Modern Jewess -- Encounters at the Margin -- Odd Beings -- In Search of History -- Kaddish for R. L. -- Baggage of Debris -- Thinking in a Combat Alliance -- "Complete Unreservedness" -- Gestures and Poems -- Goddess without a Name -- Silence - Conversation -- Notes -- Bibliography -- Acknowledgments -- Index
Summary: "The Jewess Pallas Athena"--a line from a poem by Paul Celan. It is a provocative phrase, cutting across cultures and traditions. But it poses questions: How to reconstruct a culture that has been destroyed? How to conceive of history after the catastrophes of the twentieth century? This book begins in the mid-eighteenth century with the first Jewish women to raise their voices in German. It ends two hundred years later, with another group of Jewish women looking back at a country from which they had been expelled and to which they would never want to return. Among the many prominent female intellectuals and literary figures Barbara Hahn discusses are Hannah Arendt, Gertrud Kantorowicz, Rosa Luxemburg, Else Lasker-Schüler, Margarete Susman, and Rahel Levin Varnhagen. In examining their writing, she reflects upon the question of how German culture was constructed--with its inherent patterns of exclusion. This is a book about hope and despair, possibilities and preventions. We see attempts at dialogue between Christians and Jews, men and women, "Germans" and "Jews," attempts initiated by these women that, for the most part, remained unanswered. Finally, the book reconstructs the changing notions of the "Jewess," a key word in modern German history with its connotations of "salons," "beauty," and "esprit." And yet a word that is also disastrous, in which there culminated everything the dominant culture condemned as dangerous.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781400826582

Frontmatter -- Contents -- The Jewess Pallas Athena -- Breaks in Tradition -- "Egyptian Style" -- The Myth of the Salon -- "Cries into the Void" -- The Modern Jewess -- Encounters at the Margin -- Odd Beings -- In Search of History -- Kaddish for R. L. -- Baggage of Debris -- Thinking in a Combat Alliance -- "Complete Unreservedness" -- Gestures and Poems -- Goddess without a Name -- Silence - Conversation -- Notes -- Bibliography -- Acknowledgments -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

"The Jewess Pallas Athena"--a line from a poem by Paul Celan. It is a provocative phrase, cutting across cultures and traditions. But it poses questions: How to reconstruct a culture that has been destroyed? How to conceive of history after the catastrophes of the twentieth century? This book begins in the mid-eighteenth century with the first Jewish women to raise their voices in German. It ends two hundred years later, with another group of Jewish women looking back at a country from which they had been expelled and to which they would never want to return. Among the many prominent female intellectuals and literary figures Barbara Hahn discusses are Hannah Arendt, Gertrud Kantorowicz, Rosa Luxemburg, Else Lasker-Schüler, Margarete Susman, and Rahel Levin Varnhagen. In examining their writing, she reflects upon the question of how German culture was constructed--with its inherent patterns of exclusion. This is a book about hope and despair, possibilities and preventions. We see attempts at dialogue between Christians and Jews, men and women, "Germans" and "Jews," attempts initiated by these women that, for the most part, remained unanswered. Finally, the book reconstructs the changing notions of the "Jewess," a key word in modern German history with its connotations of "salons," "beauty," and "esprit." And yet a word that is also disastrous, in which there culminated everything the dominant culture condemned as dangerous.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)