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Ezra Pound and the Symbolist Inheritance / Scott Hamilton.

By: Material type: TextTextSeries: Princeton Legacy Library ; 195Publisher: Princeton, NJ : Princeton University Press, [2014]Copyright date: ©1992Edition: Course BookDescription: 1 online resource (272 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780691600468
  • 9781400862696
Subject(s): DDC classification:
  • 811/.52 20
LOC classification:
  • PS3531.O82
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- CONTENTS -- Preface and Acknowledgments -- List of Abbreviations -- Introduction: Ezra Pound and the Symbolist Inheritance -- Chapter One. Pound's Gradus ad Parnassum -- Chapter Two. Pound's Gradus a Parnasso: Misanthropy, Pound, and Some French Satire -- Chapter Three. The Citadel of the Intelligent: Pound's Laforgue -- Chapter Four. The Wobbling Pivot: Surface and Depth in the Early Cantos -- Chapter Five. L'Eternelle Ritournelle in the Late Cantos -- Conclusion: Robert Duncan's Revisionary Ratios: Rewriting The Spirit of Romance -- Notes -- Index
Summary: In this revisionary study of Ezra Pound's poetics, Scott Hamilton exposes the extent of the modernist poet's debt to the French romantic and symbolist traditions. Whereas previous critics have focused on a single influence, Hamilton explores a broad spectrum of French poets, including Thophile Gautier, Tristan Corbire, Jules Laforgue, Remy de Gourmont, Henri de Rgnier, Jules Romains, Laurent Tailhade, Paul Verlaine, and Stphane Mallarm. This exploration of Pound's canon demonstrates his logic in borrowing from the French tradition as well as a paradoxical circularity to his poetic development. Hamilton begins by explaining how Pound read Gautier's poetry as an example of Parnassianism and of the "satirical realism" of Flaubert and the modern novelistic tradition. He reveals, however, a crucial blind spot in Pound's poetic vision that facilitated his return to precisely those romantic and proto-symbolist elements in Gautier that were celebrated by Baudelaire and Mallarm, and that Pound, as a modern poet, felt obliged to repress. Arguing that Pound's response to symbolism was not specifically modernist, Hamilton shows how his dual attraction to the lyric and prose traditions, to symbolism and realism, and to the visionary and the historical helps us better to understand our own post-modern sensibility.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781400862696

Frontmatter -- CONTENTS -- Preface and Acknowledgments -- List of Abbreviations -- Introduction: Ezra Pound and the Symbolist Inheritance -- Chapter One. Pound's Gradus ad Parnassum -- Chapter Two. Pound's Gradus a Parnasso: Misanthropy, Pound, and Some French Satire -- Chapter Three. The Citadel of the Intelligent: Pound's Laforgue -- Chapter Four. The Wobbling Pivot: Surface and Depth in the Early Cantos -- Chapter Five. L'Eternelle Ritournelle in the Late Cantos -- Conclusion: Robert Duncan's Revisionary Ratios: Rewriting The Spirit of Romance -- Notes -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

In this revisionary study of Ezra Pound's poetics, Scott Hamilton exposes the extent of the modernist poet's debt to the French romantic and symbolist traditions. Whereas previous critics have focused on a single influence, Hamilton explores a broad spectrum of French poets, including Thophile Gautier, Tristan Corbire, Jules Laforgue, Remy de Gourmont, Henri de Rgnier, Jules Romains, Laurent Tailhade, Paul Verlaine, and Stphane Mallarm. This exploration of Pound's canon demonstrates his logic in borrowing from the French tradition as well as a paradoxical circularity to his poetic development. Hamilton begins by explaining how Pound read Gautier's poetry as an example of Parnassianism and of the "satirical realism" of Flaubert and the modern novelistic tradition. He reveals, however, a crucial blind spot in Pound's poetic vision that facilitated his return to precisely those romantic and proto-symbolist elements in Gautier that were celebrated by Baudelaire and Mallarm, and that Pound, as a modern poet, felt obliged to repress. Arguing that Pound's response to symbolism was not specifically modernist, Hamilton shows how his dual attraction to the lyric and prose traditions, to symbolism and realism, and to the visionary and the historical helps us better to understand our own post-modern sensibility.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)