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Film Remakes as Ritual and Disguise : From Carmen to Ripley / Anat Zanger.

By: Material type: TextTextSeries: Film Culture in TransitionPublisher: Amsterdam : Amsterdam University Press, [2006]Copyright date: ©2007Description: 1 online resource (160 p.) : IllustratedContent type:
Media type:
Carrier type:
ISBN:
  • 9789053567845
  • 9789048509706
Subject(s): DDC classification:
  • 791.436
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Table of Contents -- Acknowledgments -- Introduction -- Chapter 1. Psycho: Inside and Outside the Frame -- Part One. First Variation: Carmen -- Chapter 2. The Game Begins -- Chapter 3. Muted Voices -- Chapter 4. Masks -- Part Two. Second Variation: Joan -- Chapter 5. The Game Again -- Chapter 6. Hearing Voices -- Chapter 7. Disguises -- Conclusion -- Chapter 8. Repetitions as Hidden Streams -- References -- Filmography -- Credits -- Index
Summary: The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales-Joanof Arc, Carmen, and Psycho-to reveal what she calls the remake's "rituals of disguise." Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien series and the God-ridden Bess in Lars Von Trier's Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural "fingerprints" that are reflective of society's own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death-playing at movie theaters seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Film Remakes as Ritual and Disguise is an insightful addition to current debates in film theory and cinema history.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9789048509706

Frontmatter -- Table of Contents -- Acknowledgments -- Introduction -- Chapter 1. Psycho: Inside and Outside the Frame -- Part One. First Variation: Carmen -- Chapter 2. The Game Begins -- Chapter 3. Muted Voices -- Chapter 4. Masks -- Part Two. Second Variation: Joan -- Chapter 5. The Game Again -- Chapter 6. Hearing Voices -- Chapter 7. Disguises -- Conclusion -- Chapter 8. Repetitions as Hidden Streams -- References -- Filmography -- Credits -- Index

Open Access unrestricted online access star

https://purl.org/coar/access_right/c_abf2

The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales-Joanof Arc, Carmen, and Psycho-to reveal what she calls the remake's "rituals of disguise." Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien series and the God-ridden Bess in Lars Von Trier's Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural "fingerprints" that are reflective of society's own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death-playing at movie theaters seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Film Remakes as Ritual and Disguise is an insightful addition to current debates in film theory and cinema history.

Mode of access: Internet via World Wide Web.

This eBook is made available Open Access under a CC BY-NC-ND 4.0 license:

https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)