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Lord of the Three in One : The Spread of a Cult in Southeast China / Kenneth Dean.

By: Material type: TextTextPublisher: Princeton, NJ : Princeton University Press, [2023]Copyright date: 1998Description: 1 online resource (393 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780691261218
Subject(s): DDC classification:
  • 299/.51 22
LOC classification:
  • BL1802 .D43 1998eb
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- List of Illustrations and Tables -- Acknowledgments -- Introduction -- 1. Ritual-Events -- 2. The Apotheosis of Lin Zhao’en -- 3. The Early Disciples -- 4. Inner Alchemy, Scriptures, and Liturgies -- 5. The Three in One in the Qing and Republican Eras -- 6. Ritual Traditions of the Three in One -- 7. Current Cultural Range of the Three in One -- 8. The Three in One in Contemporary China -- Conclusion -- Appendix 1: Editions of Lin Zhao’en’s Writings -- Appendix 2: The Chart of the Inner Landscape of the Nine Stages -- Appendix 3: Summary of the Xiawunijing (Lord Xia Scriptures) -- Appendix 4: Scriptures to Popular Deities: The God of Theater -- Appendix 5: Ritual Documents in the Wubentang Guitiao -- Appendix 6: Ritual Calendars -- Appendix 7: Liturgies: The Purification of a Stage -- Appendix 8: Ritual Spells and Visualizations -- Appendix 9: The Evolution of the Dragon Mountain Hall (1986 Stele Inscription in the Longshantang, Taipei) -- Appendix 10: Chinese Text of the Bentijing -- Appendix 11: List of Three in One Books and Manuscripts -- Glossary -- Bibliography -- Index
Summary: An illuminating account of the steadfast resilience of rural popular culture in post-Mao ChinaLin Zhao’en (1517–1598) set out to popularize Confucianism by combining Confucian studies with Daoist inner alchemical techniques and Buddhist Chan philosophy into something he called the Three in One Teachings. Despite periods of clandestine activity since its inception, the Three in One cult has undergone a remarkable revival in post-Mao China. Today, in more than a thousand temples by tens of thousands of cult initiates, Lin is worshipped throughout Southeast China and Southeast Asia as Lord of the Three in One. Many of the temples have been restored since the late 1970s, when China began to experience an explosive resurgence of popular culture and religion. In this book, Kenneth Dean draws on a decade of field work to document the reemergence of this cult, which seeks to transmit a universal vision of truth yet retains a strong local appeal through its healing rituals and spirit mediumism. Although the Chinese government still tries to suppress these resurgences in the interest of modernization, the cult’s locally based networks are unstoppable social forces.Dean explores the organization and transmission of the Three in One’s unique cultural vision, the reception of this vision, and the construction of subjectivity within a vibrant ritual tradition. Outlining such features as inner alchemical meditation, scripture and iconography, ritual practice, and spirit mediumism, he demonstrates the cult’s transformative potential as well as its contemporaneity and dynamism. Rural Chinese popular culture emerges here as resilient, highly complex, and always evolving.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780691261218

Frontmatter -- Contents -- List of Illustrations and Tables -- Acknowledgments -- Introduction -- 1. Ritual-Events -- 2. The Apotheosis of Lin Zhao’en -- 3. The Early Disciples -- 4. Inner Alchemy, Scriptures, and Liturgies -- 5. The Three in One in the Qing and Republican Eras -- 6. Ritual Traditions of the Three in One -- 7. Current Cultural Range of the Three in One -- 8. The Three in One in Contemporary China -- Conclusion -- Appendix 1: Editions of Lin Zhao’en’s Writings -- Appendix 2: The Chart of the Inner Landscape of the Nine Stages -- Appendix 3: Summary of the Xiawunijing (Lord Xia Scriptures) -- Appendix 4: Scriptures to Popular Deities: The God of Theater -- Appendix 5: Ritual Documents in the Wubentang Guitiao -- Appendix 6: Ritual Calendars -- Appendix 7: Liturgies: The Purification of a Stage -- Appendix 8: Ritual Spells and Visualizations -- Appendix 9: The Evolution of the Dragon Mountain Hall (1986 Stele Inscription in the Longshantang, Taipei) -- Appendix 10: Chinese Text of the Bentijing -- Appendix 11: List of Three in One Books and Manuscripts -- Glossary -- Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

An illuminating account of the steadfast resilience of rural popular culture in post-Mao ChinaLin Zhao’en (1517–1598) set out to popularize Confucianism by combining Confucian studies with Daoist inner alchemical techniques and Buddhist Chan philosophy into something he called the Three in One Teachings. Despite periods of clandestine activity since its inception, the Three in One cult has undergone a remarkable revival in post-Mao China. Today, in more than a thousand temples by tens of thousands of cult initiates, Lin is worshipped throughout Southeast China and Southeast Asia as Lord of the Three in One. Many of the temples have been restored since the late 1970s, when China began to experience an explosive resurgence of popular culture and religion. In this book, Kenneth Dean draws on a decade of field work to document the reemergence of this cult, which seeks to transmit a universal vision of truth yet retains a strong local appeal through its healing rituals and spirit mediumism. Although the Chinese government still tries to suppress these resurgences in the interest of modernization, the cult’s locally based networks are unstoppable social forces.Dean explores the organization and transmission of the Three in One’s unique cultural vision, the reception of this vision, and the construction of subjectivity within a vibrant ritual tradition. Outlining such features as inner alchemical meditation, scripture and iconography, ritual practice, and spirit mediumism, he demonstrates the cult’s transformative potential as well as its contemporaneity and dynamism. Rural Chinese popular culture emerges here as resilient, highly complex, and always evolving.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024)