Reconsidering Olmec Visual Culture : The Unborn, Women, and Creation /
Tate, Carolyn E.
Reconsidering Olmec Visual Culture : The Unborn, Women, and Creation / Carolyn E. Tate. - 1 online resource (359 p.) - The William and Bettye Nowlin Series in Art, History, and Culture of the Western Hemisphere .
Frontmatter -- Contents -- Preface -- Acknowledgments -- Chapter 1 Rediscovering Women and Gestation in Olmec Visual Culture -- Chapter 2 The Tale of the Were-Jaguar -- Chapter 3 The Sowing and Dawning of the Human-Maize Seed -- Chapter 4 Tracking Gender, Gestation, and Narrativity Through the Early Formative -- Chapter 5 La Venta’s Buried Offerings Women and Other Revelations -- Chapter 6 Female Water and Earth Supernaturals The Massive Off erings, Mosaic Pavements, and Mixe “Work of the Earth” -- Chapter 7 A Processional Visual Narrative at La Venta -- Chapter 8 La Venta’s Creation and Origins Narrative -- Chapter 9 A Scattering of Seeds -- Appendix 1 La Venta Monuments by Format -- Appendix 2 Comparison of Mesoamerican Creation and Origins Narratives -- Appendix 3 Shape-Shifters and Werewolves to Were-Jaguars: A Brief Chronology -- Notes -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec
Recently, scholars of Olmec visual culture have identified symbols for umbilical cords, bundles, and cave-wombs, as well as a significant number of women portrayed on monuments and as figurines. In this groundbreaking study, Carolyn Tate demonstrates that these subjects were part of a major emphasis on gestational imagery in Formative Period Mesoamerica. In Reconsidering Olmec Visual Culture, she identifies the presence of women, human embryos, and fetuses in monuments and portable objects dating from 1400 to 400 BC and originating throughout much of Mesoamerica. This highly original study sheds new light on the prominent roles that women and gestational beings played in Early Formative societies, revealing female shamanic practices, the generative concepts that motivated caching and bundling, and the expression of feminine knowledge in the 260-day cycle and related divinatory and ritual activities. Reconsidering Olmec Visual Culture is the first study that situates the unique hollow babies of Formative Mesoamerica within the context of prominent females and the prevalent imagery of gestation and birth. It is also the first major art historical study of La Venta and the first to identify Mesoamerica's earliest creation narrative. It provides a more nuanced understanding of how later societies, including Teotihuacan and West Mexico, as well as the Maya, either rejected certain Formative Period visual forms, rituals, social roles, and concepts or adopted and transformed them into the enduring themes of Mesoamerican symbol systems.
Mode of access: Internet via World Wide Web.
In English.
9780292735491
10.7560/728523 doi
2011021407
Indian women in art.
Olmec art.
Olmec mythology.
Olmec sculpture.
SOCIAL SCIENCE / General.
F1219.8.O56 / T37 2012 F1219.8.O56 / T37 2012
709.72
Reconsidering Olmec Visual Culture : The Unborn, Women, and Creation / Carolyn E. Tate. - 1 online resource (359 p.) - The William and Bettye Nowlin Series in Art, History, and Culture of the Western Hemisphere .
Frontmatter -- Contents -- Preface -- Acknowledgments -- Chapter 1 Rediscovering Women and Gestation in Olmec Visual Culture -- Chapter 2 The Tale of the Were-Jaguar -- Chapter 3 The Sowing and Dawning of the Human-Maize Seed -- Chapter 4 Tracking Gender, Gestation, and Narrativity Through the Early Formative -- Chapter 5 La Venta’s Buried Offerings Women and Other Revelations -- Chapter 6 Female Water and Earth Supernaturals The Massive Off erings, Mosaic Pavements, and Mixe “Work of the Earth” -- Chapter 7 A Processional Visual Narrative at La Venta -- Chapter 8 La Venta’s Creation and Origins Narrative -- Chapter 9 A Scattering of Seeds -- Appendix 1 La Venta Monuments by Format -- Appendix 2 Comparison of Mesoamerican Creation and Origins Narratives -- Appendix 3 Shape-Shifters and Werewolves to Were-Jaguars: A Brief Chronology -- Notes -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec
Recently, scholars of Olmec visual culture have identified symbols for umbilical cords, bundles, and cave-wombs, as well as a significant number of women portrayed on monuments and as figurines. In this groundbreaking study, Carolyn Tate demonstrates that these subjects were part of a major emphasis on gestational imagery in Formative Period Mesoamerica. In Reconsidering Olmec Visual Culture, she identifies the presence of women, human embryos, and fetuses in monuments and portable objects dating from 1400 to 400 BC and originating throughout much of Mesoamerica. This highly original study sheds new light on the prominent roles that women and gestational beings played in Early Formative societies, revealing female shamanic practices, the generative concepts that motivated caching and bundling, and the expression of feminine knowledge in the 260-day cycle and related divinatory and ritual activities. Reconsidering Olmec Visual Culture is the first study that situates the unique hollow babies of Formative Mesoamerica within the context of prominent females and the prevalent imagery of gestation and birth. It is also the first major art historical study of La Venta and the first to identify Mesoamerica's earliest creation narrative. It provides a more nuanced understanding of how later societies, including Teotihuacan and West Mexico, as well as the Maya, either rejected certain Formative Period visual forms, rituals, social roles, and concepts or adopted and transformed them into the enduring themes of Mesoamerican symbol systems.
Mode of access: Internet via World Wide Web.
In English.
9780292735491
10.7560/728523 doi
2011021407
Indian women in art.
Olmec art.
Olmec mythology.
Olmec sculpture.
SOCIAL SCIENCE / General.
F1219.8.O56 / T37 2012 F1219.8.O56 / T37 2012
709.72