Primitivism in Modern Art /
Goldwater, Robert
Primitivism in Modern Art / Robert Goldwater. - Enl. ed. Reprint 2014 - 1 online resource (339 p.) : 68 halftones
Frontmatter -- Contents -- Illustrations -- Publisher’s Note to the Enlarged Edition -- Preface to the Revised Edition -- Introduction -- I Primitive Art in Europe -- II The Preparation -- III Romantic Primitivism -- IV Emotional Primitivism -- V Intellectual Primitivism -- VI The Primitivism of the Subconscious -- VII Primitivism in Modern Sculpture -- VIII A Definition of Primitivism -- IX Judgments of Primitive Art, 1905-1965 -- X Art History and Anthropology: Some Comparisons of Methodology -- Appendix -- The Publications of Robert Goldwater (1907-1973) -- Index
restricted access http://purl.org/coar/access_right/c_16ec
This now classic study maps the profound effect of primitive art on modern, as well as the primitivizing strain in modern art itself. Robert Goldwater describes how and why works by primitive artists attracted modern painters and sculptors, and he delineates the differences between what is truly primitive or archaic and what intentionally embodies such elements. His analysis distinguishes the romanticism of Gauguin; an emotional primitivism exemplified by the Brücke and Blaue Reiter groups in Germany; the intellectual primitivism of Picasso and Modigliani; and a “primitivism of the subconscious” in Miró, Klee, and Dali. Two of Goldwater's related essays—“Judgments of Primitive Art, 1905–1965” and “Art History and Anthropology”—have been added for this new paperback edition.
Mode of access: Internet via World Wide Web.
In English.
9780674281875 9780674281882
10.4159/harvard.9780674281882 doi
Art, Modern.
Künste, Bildende Kunst allgemein.
Künste, Bildende Kunst allgemein.
Primitivism in art.
ART / History / Prehistoric & Primitive.
Art, Modern -- 19th century.
Art, Modern -- 20th century.
Primitivism in art.
ART / History / Prehistoric & Primitive.
N6465.P74
709.04
Primitivism in Modern Art / Robert Goldwater. - Enl. ed. Reprint 2014 - 1 online resource (339 p.) : 68 halftones
Frontmatter -- Contents -- Illustrations -- Publisher’s Note to the Enlarged Edition -- Preface to the Revised Edition -- Introduction -- I Primitive Art in Europe -- II The Preparation -- III Romantic Primitivism -- IV Emotional Primitivism -- V Intellectual Primitivism -- VI The Primitivism of the Subconscious -- VII Primitivism in Modern Sculpture -- VIII A Definition of Primitivism -- IX Judgments of Primitive Art, 1905-1965 -- X Art History and Anthropology: Some Comparisons of Methodology -- Appendix -- The Publications of Robert Goldwater (1907-1973) -- Index
restricted access http://purl.org/coar/access_right/c_16ec
This now classic study maps the profound effect of primitive art on modern, as well as the primitivizing strain in modern art itself. Robert Goldwater describes how and why works by primitive artists attracted modern painters and sculptors, and he delineates the differences between what is truly primitive or archaic and what intentionally embodies such elements. His analysis distinguishes the romanticism of Gauguin; an emotional primitivism exemplified by the Brücke and Blaue Reiter groups in Germany; the intellectual primitivism of Picasso and Modigliani; and a “primitivism of the subconscious” in Miró, Klee, and Dali. Two of Goldwater's related essays—“Judgments of Primitive Art, 1905–1965” and “Art History and Anthropology”—have been added for this new paperback edition.
Mode of access: Internet via World Wide Web.
In English.
9780674281875 9780674281882
10.4159/harvard.9780674281882 doi
Art, Modern.
Künste, Bildende Kunst allgemein.
Künste, Bildende Kunst allgemein.
Primitivism in art.
ART / History / Prehistoric & Primitive.
Art, Modern -- 19th century.
Art, Modern -- 20th century.
Primitivism in art.
ART / History / Prehistoric & Primitive.
N6465.P74
709.04