Writing the Image After Roland Barthes /
Writing the Image After Roland Barthes /
ed. by Jean-Michel Rabaté, Jean-Michel Rabate.
- 1 online resource (296 p.) : 30 illus.
- New Cultural Studies .
Frontmatter -- Contents -- List of Abbreviations -- Introduction -- I. Reflections on Photography -- 1. Barthes’s Discretion -- 2. “What has occurred only once” -- 3. The Filter of Culture and the Culture of Death -- 4. Barthes and Bazin -- 5. Roland Barthes’s Obtuse, Sharp Meaning and the Responsibilities of Commentary -- 6. Photographeme -- 7. Narrative Liaisons -- 8. Circulating Images -- 9. Roland Barthes, or The Woman Without a Shadow -- 10. The Descent of Orpheus -- II. Seeing Language, Seeing Culture -- 11.The Imaginary Museum of Jules Michelet -- 12. Barthes with Marx -- 13. Beyond Metalanguage -- 14. Who Is the Real One? -- 15. The Art of Being Sparse, Porous, Scattered -- 16. Genetic Criticism in the Wake of Barthes -- 17. Roland Barthes Abroad -- 18. Un-Scriptible -- Conclusion: A False Account of Talking with Frank O’Hara and Roland Barthes in Philadelphia -- Bibliography -- Contributors -- Index
restricted access http://purl.org/coar/access_right/c_16ec
In the final stages of his career, Roland Barthes abandoned his long-standing suspicion of photographic representation to write Camera Lucida, at once an elegy to his dead mother and a treatise on photography. In Writing the Image After Roland Barthes, Jean-Michel Rabaté and nineteen contributors examine the import of Barthes's shifting positions on photography and visual representation and the impact of his work on current developments in cultural studies and theories of the media and popular culture.
Mode of access: Internet via World Wide Web.
In English.
9780812215960 9780812200232
10.9783/9780812200232 doi
Photographic criticism--France.
Photography--Philosophy.
Photography--Philosophy.--France
Cultural Studies.
LITERARY CRITICISM / Semiotics & Theory.
Cultural Studies. Literature.
TR183 / .W73 1997
770/.1
Frontmatter -- Contents -- List of Abbreviations -- Introduction -- I. Reflections on Photography -- 1. Barthes’s Discretion -- 2. “What has occurred only once” -- 3. The Filter of Culture and the Culture of Death -- 4. Barthes and Bazin -- 5. Roland Barthes’s Obtuse, Sharp Meaning and the Responsibilities of Commentary -- 6. Photographeme -- 7. Narrative Liaisons -- 8. Circulating Images -- 9. Roland Barthes, or The Woman Without a Shadow -- 10. The Descent of Orpheus -- II. Seeing Language, Seeing Culture -- 11.The Imaginary Museum of Jules Michelet -- 12. Barthes with Marx -- 13. Beyond Metalanguage -- 14. Who Is the Real One? -- 15. The Art of Being Sparse, Porous, Scattered -- 16. Genetic Criticism in the Wake of Barthes -- 17. Roland Barthes Abroad -- 18. Un-Scriptible -- Conclusion: A False Account of Talking with Frank O’Hara and Roland Barthes in Philadelphia -- Bibliography -- Contributors -- Index
restricted access http://purl.org/coar/access_right/c_16ec
In the final stages of his career, Roland Barthes abandoned his long-standing suspicion of photographic representation to write Camera Lucida, at once an elegy to his dead mother and a treatise on photography. In Writing the Image After Roland Barthes, Jean-Michel Rabaté and nineteen contributors examine the import of Barthes's shifting positions on photography and visual representation and the impact of his work on current developments in cultural studies and theories of the media and popular culture.
Mode of access: Internet via World Wide Web.
In English.
9780812215960 9780812200232
10.9783/9780812200232 doi
Photographic criticism--France.
Photography--Philosophy.
Photography--Philosophy.--France
Cultural Studies.
LITERARY CRITICISM / Semiotics & Theory.
Cultural Studies. Literature.
TR183 / .W73 1997
770/.1