Mador of the Moor /
Hogg, James
Mador of the Moor / James Hogg, James E. Barcus. - 1 online resource (192 p.) - The Stirling / South Carolina Research Edition of the Collected Works of James Hogg : STIR .
Frontmatter -- The Collected Works of James Hogg -- Contents -- Illustration of Kincraigy -- Introduction -- James Hogg’s Literary Friendships with John Grieve and Eliza Izett -- Mador of the Moor -- Appendix I: ‘The Harper’s Song’ -- Appendix II: ‘The Popular Context’ -- Note on the Text -- Notes -- Glossary -- Maps
restricted access http://purl.org/coar/access_right/c_16ec
With an Essay on Hogg's Literary Friendships by Janette Currie and an Appendix on the Popular Context by Suzanne GilbertScottish popular tradition includes a group of stories about a King who has adventures - amorous and otherwise - as he wanders in disguise among his people. Many of these stories focus on James V and in Walter Scott's long narrative poem The Lady of the Lake (1810) the King encounters a mysterious lady while he is wandering alone and unrecognised in the Highlands. At first sight Scott's heroine seems to be a simple country girl, but she turns out to be a daughter of the great aristocratic house of Douglas, living for the time being in a rural exile.Scott's romantic and aristocratic version of the old 'wandering King' stories was hugely popular in its day, but Hogg subverts and questions this tale in Mador of the Moor (1816). The name 'Mador' suggests 'made o'er', 'made over', and Mador of the Moor is in effect a makeover of The Lady of the Lake. Hogg's poem, like Scott's, tells how a deer-hunt in the Highlands leads a disguised King of Scots into a love-adventure with a young woman. However Hogg's heroine, Ila Moore, is not a chaste aristocrat but a girl of low social standing who is made pregnant by the wandering King. Ila's inherent resourcefulness and strength of character suggest that a peasant girl pregnant out of wedlock can be a heroine fully worthy of respect, and Mador (rejected as shocking and ridiculous by its original readership), now re-emerges as a flowing and immensely readable narrative that eloquently challenges the deeply-ingrained class and gender prejudices of Hogg's society.
Mode of access: Internet via World Wide Web.
In English.
9781474469210
10.1515/9781474469210 doi
Epic poetry, Scottish.
Literary Studies.
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
PR4791.M33
823.7
Mador of the Moor / James Hogg, James E. Barcus. - 1 online resource (192 p.) - The Stirling / South Carolina Research Edition of the Collected Works of James Hogg : STIR .
Frontmatter -- The Collected Works of James Hogg -- Contents -- Illustration of Kincraigy -- Introduction -- James Hogg’s Literary Friendships with John Grieve and Eliza Izett -- Mador of the Moor -- Appendix I: ‘The Harper’s Song’ -- Appendix II: ‘The Popular Context’ -- Note on the Text -- Notes -- Glossary -- Maps
restricted access http://purl.org/coar/access_right/c_16ec
With an Essay on Hogg's Literary Friendships by Janette Currie and an Appendix on the Popular Context by Suzanne GilbertScottish popular tradition includes a group of stories about a King who has adventures - amorous and otherwise - as he wanders in disguise among his people. Many of these stories focus on James V and in Walter Scott's long narrative poem The Lady of the Lake (1810) the King encounters a mysterious lady while he is wandering alone and unrecognised in the Highlands. At first sight Scott's heroine seems to be a simple country girl, but she turns out to be a daughter of the great aristocratic house of Douglas, living for the time being in a rural exile.Scott's romantic and aristocratic version of the old 'wandering King' stories was hugely popular in its day, but Hogg subverts and questions this tale in Mador of the Moor (1816). The name 'Mador' suggests 'made o'er', 'made over', and Mador of the Moor is in effect a makeover of The Lady of the Lake. Hogg's poem, like Scott's, tells how a deer-hunt in the Highlands leads a disguised King of Scots into a love-adventure with a young woman. However Hogg's heroine, Ila Moore, is not a chaste aristocrat but a girl of low social standing who is made pregnant by the wandering King. Ila's inherent resourcefulness and strength of character suggest that a peasant girl pregnant out of wedlock can be a heroine fully worthy of respect, and Mador (rejected as shocking and ridiculous by its original readership), now re-emerges as a flowing and immensely readable narrative that eloquently challenges the deeply-ingrained class and gender prejudices of Hogg's society.
Mode of access: Internet via World Wide Web.
In English.
9781474469210
10.1515/9781474469210 doi
Epic poetry, Scottish.
Literary Studies.
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
PR4791.M33
823.7