Fluid Bodies and Bodily Fluids in Premodern Europe : Bodies, Blood, and Tears in Literature, Theology, and Art /
Fluid Bodies and Bodily Fluids in Premodern Europe : Bodies, Blood, and Tears in Literature, Theology, and Art /
ed. by Michael David Barbezat, Anne M. Scott.
- 1 online resource (216 p.)
- Borderlines .
Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- Chapter 1. INTRODUCTION: BODIES, FLUIDITY, AND CHANGE -- PART 1: TRANSFORMATIVE AND MANIPULATIVE TEARS -- Chapter 2. WHERE DID MARGERY KEMPE CRY? -- Chapter 3. ELUSIVE TEARS: LAMENTATION AND IMPASSIVITY IN FIFTEENTH- CENTURY PASSION ICONOGRAPHY -- Chapter 4. CATHERINE'S TEARS: DIPLOMATIC CORPOREALITY, AFFECTIVE PERFORMANCE, AND GENDER AT THE SIXTEENTH- CENTURY FRENCH COURT -- PART 2: IDENTITIES IN BLOOD -- Chapter 5. PIERS PLOWMAN AND THE BLOOD OF BROTHERHOOD -- Chapter 6. PERFORMATIVE ASCETICISM AND EXEMPLARY EFFLUVIA: BLOOD, TEARS, AND RAPTURE IN FOURTEENTH- CENTURY GERMAN DOMINICAN LITERATURE -- Chapter 7. "BLOODY BUSINESS": PASSIONS AND REGULATION OF SANGUINITY IN WILLIAM SHAKESPEARE'S MACBETH AND KING LEAR -- PART 3: BODIES AND BLOOD IN LIFE, DEATH, AND RESURRECTION -- Chapter 8. SAINTLY BLOOD: ABSENCE, PRESENCE, AND THE ALTER CHRISTUS -- Chapter 9. THE TREATMENT OF THE BODY IN ANATOMY LESSON OF DR. NICOLAES TULP -- Chapter 10. AUGUSTINE ON THE FLESH OF THE RESURRECTION BODY IN THE DE FIDE ET SYMBOLO: ORIGEN, MANICHAEISM, AND AUGUSTINE'S DEVELOPING THOUGHT REGARDING HUMAN PHYSICAL PERFECTION -- SELECT BIBLIOGRAPHY -- INDEX
restricted access http://purl.org/coar/access_right/c_16ec
For medieval and early modern thinkers, the apparent solidity of the body only came about through the dynamic interplay of a host of fluidities in constant flux. This interdisciplinary collection of essays, containing chapters from specialists in history, art history, medical history, and literature, examines how the intimately familiar language of the body served as a convenient medium through which to imagine and describe transformations of the larger world, both for the better and also for the worse. Its individual contributors demonstrate the myriad ways in which rethinking the human body was one way to approach rethinking the social, political, and religious realities of the world from the Middle Ages until the early modern period. This interdisciplinary collection of essays, containing chapters from specialists in history, art history, medical history, and literature, examines how the intimately familiar language of the body served as a convenient medium through which to imagine and describe transformations of the larger world, both for the better and also for the worse. Its individual contributors demonstrate the myriad ways in which rethinking the human body was one way to approach rethinking the social, political, and religious realities of the world from the Middle Ages until the early modern period.
Mode of access: Internet via World Wide Web.
In English.
9781641892384 9781641892391
10.1515/9781641892391 doi
Human body in literature--History--To 1500.
Human body--Religious aspects--History--To 1500.
Human body--Symbolic aspects.
Human figure in art--History--To 1500.
HISTORY / Renaissance.
Blood. bodily humours. corporeality. devotion. emotions. tears.
306.4
Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- Chapter 1. INTRODUCTION: BODIES, FLUIDITY, AND CHANGE -- PART 1: TRANSFORMATIVE AND MANIPULATIVE TEARS -- Chapter 2. WHERE DID MARGERY KEMPE CRY? -- Chapter 3. ELUSIVE TEARS: LAMENTATION AND IMPASSIVITY IN FIFTEENTH- CENTURY PASSION ICONOGRAPHY -- Chapter 4. CATHERINE'S TEARS: DIPLOMATIC CORPOREALITY, AFFECTIVE PERFORMANCE, AND GENDER AT THE SIXTEENTH- CENTURY FRENCH COURT -- PART 2: IDENTITIES IN BLOOD -- Chapter 5. PIERS PLOWMAN AND THE BLOOD OF BROTHERHOOD -- Chapter 6. PERFORMATIVE ASCETICISM AND EXEMPLARY EFFLUVIA: BLOOD, TEARS, AND RAPTURE IN FOURTEENTH- CENTURY GERMAN DOMINICAN LITERATURE -- Chapter 7. "BLOODY BUSINESS": PASSIONS AND REGULATION OF SANGUINITY IN WILLIAM SHAKESPEARE'S MACBETH AND KING LEAR -- PART 3: BODIES AND BLOOD IN LIFE, DEATH, AND RESURRECTION -- Chapter 8. SAINTLY BLOOD: ABSENCE, PRESENCE, AND THE ALTER CHRISTUS -- Chapter 9. THE TREATMENT OF THE BODY IN ANATOMY LESSON OF DR. NICOLAES TULP -- Chapter 10. AUGUSTINE ON THE FLESH OF THE RESURRECTION BODY IN THE DE FIDE ET SYMBOLO: ORIGEN, MANICHAEISM, AND AUGUSTINE'S DEVELOPING THOUGHT REGARDING HUMAN PHYSICAL PERFECTION -- SELECT BIBLIOGRAPHY -- INDEX
restricted access http://purl.org/coar/access_right/c_16ec
For medieval and early modern thinkers, the apparent solidity of the body only came about through the dynamic interplay of a host of fluidities in constant flux. This interdisciplinary collection of essays, containing chapters from specialists in history, art history, medical history, and literature, examines how the intimately familiar language of the body served as a convenient medium through which to imagine and describe transformations of the larger world, both for the better and also for the worse. Its individual contributors demonstrate the myriad ways in which rethinking the human body was one way to approach rethinking the social, political, and religious realities of the world from the Middle Ages until the early modern period. This interdisciplinary collection of essays, containing chapters from specialists in history, art history, medical history, and literature, examines how the intimately familiar language of the body served as a convenient medium through which to imagine and describe transformations of the larger world, both for the better and also for the worse. Its individual contributors demonstrate the myriad ways in which rethinking the human body was one way to approach rethinking the social, political, and religious realities of the world from the Middle Ages until the early modern period.
Mode of access: Internet via World Wide Web.
In English.
9781641892384 9781641892391
10.1515/9781641892391 doi
Human body in literature--History--To 1500.
Human body--Religious aspects--History--To 1500.
Human body--Symbolic aspects.
Human figure in art--History--To 1500.
HISTORY / Renaissance.
Blood. bodily humours. corporeality. devotion. emotions. tears.
306.4