Echoes of Exile : Moscow Archives and the Arts in Paris 1933-1945 /
Echoes of Exile : Moscow Archives and the Arts in Paris 1933-1945 /
ed. by Ines Rotermund-Reynard.
- 1 online resource (180 p.)
- Contact Zones : Studies in Global Art , 2 2196-3746 ; .
Frontmatter -- Acknowledgements -- Preface -- Contents -- German-speaking Artists in Parisian Exile: Their Routes to the French Capital, Activities There, and Final Flight – a Short Introduction -- Plunder, Restitution, Emotion and the Weight of Archives: A Historical Approach -- “Trophy” Archives in Moscow and the Art Scene in France and Germany under the National Socialist Regime, 1933–1945: A Brief Orientation -- Lifting the Veil on Moscow’s Secret Archives -- The Arthur Goldschmidt File in the Archive of the Direction de la Sûreté: French Police Archives Shed Light on Paul Graupe & Cie (Paris, 1937–1939) -- “… not my most beautiful but my best paintings …”:1 Oskar Kokoschka’s list for London -- The Art Historian Charlotte Weidler: a Lost Voice Speaks from the Moscow Special Archive -- THE PAUL CASSIRER GALLERY (1933–1945): Berlin – Amsterdam – London -- August Liebmann Mayer (1885–1944) – Success, Failure, Emigration, Deportation and Murder -- Picture Credits -- Authors -- Index -- Plates
restricted access http://purl.org/coar/access_right/c_16ec
Ab 1933 wurden Tausende von Menschen vom nationalsozialistischen Regime ins Exil getrieben. Für viele deutschsprachige Künstler und Schriftsteller wurde Paris vorübergehend zur Hauptstadt. Die Archive dieser Exilanten wurden zu "displaced objects", verstreut, geraubt, verschleppt, oft zerstört, aber auch häufig bewahrt. Im Zentrum des Buches steht die Auswertung unbekannten Quellenmaterials, das seit Kriegsende im Moskauer Sonderarchiv/RGVA lagert und das neue Einblicke in die Aktivitäten der deutschsprachigen Emigration der dreißiger Jahre in Paris und Europa erlaubt. Im Rahmen der aktuellen Debatte um deplatzierte Kulturgüter und Restitution versucht der Band damit auch einen transnationalen, interdisziplinären Wissenschaftsdialog zu eröffnen. Thousands of people were driven into exile by Germany's National Socialist regime from 1933 onward. For many German-speaking artists and writers Paris became a temporary capital. The archives of these exiles became "displaced objects" - scattered, stolen, confiscated, and often destroyed, but also frequently preserved. This book assesses previously unknown source material stored at the Moscow State Military Archive (RVGA) since the end of the war, and offers new insights into the activities of German-speaking exiles in the 1930s in Paris and Europe. Against the backdrop of current debates surrounding displaced cultural goods and their restitution, this work seeks to facilitate a transnational, interdisciplinary scientific dialogue.
Mode of access: Internet via World Wide Web.
In English.
9783110290585 9783110388800 9783110290653
10.1515/9783110290653 doi
Artists--Archives--Germany--Congresses.
Arts, German--Archival resources--20th century--Congresses.
Expatriate artists--Archives--France--Paris--Congresses.
ART / History / Modern (late 19th Century to 1945).
NX550.A1 / .E24 2015eb
700.94309/04
Frontmatter -- Acknowledgements -- Preface -- Contents -- German-speaking Artists in Parisian Exile: Their Routes to the French Capital, Activities There, and Final Flight – a Short Introduction -- Plunder, Restitution, Emotion and the Weight of Archives: A Historical Approach -- “Trophy” Archives in Moscow and the Art Scene in France and Germany under the National Socialist Regime, 1933–1945: A Brief Orientation -- Lifting the Veil on Moscow’s Secret Archives -- The Arthur Goldschmidt File in the Archive of the Direction de la Sûreté: French Police Archives Shed Light on Paul Graupe & Cie (Paris, 1937–1939) -- “… not my most beautiful but my best paintings …”:1 Oskar Kokoschka’s list for London -- The Art Historian Charlotte Weidler: a Lost Voice Speaks from the Moscow Special Archive -- THE PAUL CASSIRER GALLERY (1933–1945): Berlin – Amsterdam – London -- August Liebmann Mayer (1885–1944) – Success, Failure, Emigration, Deportation and Murder -- Picture Credits -- Authors -- Index -- Plates
restricted access http://purl.org/coar/access_right/c_16ec
Ab 1933 wurden Tausende von Menschen vom nationalsozialistischen Regime ins Exil getrieben. Für viele deutschsprachige Künstler und Schriftsteller wurde Paris vorübergehend zur Hauptstadt. Die Archive dieser Exilanten wurden zu "displaced objects", verstreut, geraubt, verschleppt, oft zerstört, aber auch häufig bewahrt. Im Zentrum des Buches steht die Auswertung unbekannten Quellenmaterials, das seit Kriegsende im Moskauer Sonderarchiv/RGVA lagert und das neue Einblicke in die Aktivitäten der deutschsprachigen Emigration der dreißiger Jahre in Paris und Europa erlaubt. Im Rahmen der aktuellen Debatte um deplatzierte Kulturgüter und Restitution versucht der Band damit auch einen transnationalen, interdisziplinären Wissenschaftsdialog zu eröffnen. Thousands of people were driven into exile by Germany's National Socialist regime from 1933 onward. For many German-speaking artists and writers Paris became a temporary capital. The archives of these exiles became "displaced objects" - scattered, stolen, confiscated, and often destroyed, but also frequently preserved. This book assesses previously unknown source material stored at the Moscow State Military Archive (RVGA) since the end of the war, and offers new insights into the activities of German-speaking exiles in the 1930s in Paris and Europe. Against the backdrop of current debates surrounding displaced cultural goods and their restitution, this work seeks to facilitate a transnational, interdisciplinary scientific dialogue.
Mode of access: Internet via World Wide Web.
In English.
9783110290585 9783110388800 9783110290653
10.1515/9783110290653 doi
Artists--Archives--Germany--Congresses.
Arts, German--Archival resources--20th century--Congresses.
Expatriate artists--Archives--France--Paris--Congresses.
ART / History / Modern (late 19th Century to 1945).
NX550.A1 / .E24 2015eb
700.94309/04