Realisms of the Avant-Garde /
Realisms of the Avant-Garde /
ed. by Moritz Baßler, Benedikt Hjartarson, Ursula Frohne, David Ayers, Sascha Bru.
- 1 online resource (XIV, 630 p.)
- European Avant-Garde and Modernism Studies , 6 1869-3393 ; .
Frontmatter -- Contents -- About the Series – Sur la collection – Zur Buchreihe -- Introduction -- Realism(s) of the Avant-Garde: An Introduction -- Modernist Realism? -- Realismus – Avantgarde – Phantastik -- Mário de Andrade: Modernism, Realism, and New Stories -- Scientistic Magnetism and Hauntological Metarealism -- Conditional-Realistic Constructivism or Constructivist New Realism -- „Eine Verteidigung des Wirklichen“ -- Fremde Formen – neue Sprache -- Surpassing Realism? -- Ähnlichkeit als Konzept des SurRealismus -- Surreal Science and Scientific Surrealism -- Toward the Conquest of (Another) Reality -- D’un réalisme indiciaire : la revue Documents (1929–1930) -- Spiegelung des Selbst: Giorgio de Chirico über Gustave Courbet -- A Quest for a “New Man”: Bruno Schulz and Giorgio de Chirico -- Zeichen der Doppelbödigkeit -- When the Reality is Unreal: Camps, Towers and Internment -- Media/Documenting the Real? -- Le réalisme des appareils -- The Inconceivable Reality -- A Beautiful New World -- The Real Reality: Notes on Boris Klinč and Photomontage in the USSR -- Constructivism between the Reality and an Aesthetic Performance -- Reality as Disguise: Tadeusz Kantor’s Happenings -- The Cinema of Improvisation -- Realist Turns/Politics of Realism? -- Fernand Léger’s New Realism -- Picasso vs. Fougeron -- Whose Figuration? -- The Use(s) of Realism in Spain: Politics and the Visual Arts in the Long Sixties -- (Ir)Real Portugal -- State-commission in Modern Times -- Things/Thingness/Objectivity? -- Unter dem Pflaster ist die Kanalisation -- Modernistischer Realismus der Arbeiterbewegungsliteratur -- Das Ich und die Dinge -- “… this is without a doubt the most despicable barbarism one could attain” -- “Everything Is Symbolical” -- “Reism” in Slovenian Neo-Avant-Garde Literature and Art -- Dinge als Akteure in (neo)avantgardistischen Texten -- New Sincerity/New Openings in the Twenty-First Century? -- Rewriting the Real – Dialogic Perspectives of Interventionist Strategies in Contemporary French Literature -- Eine unzeitgemäße Zeitgenossenschaft? -- Historiographies of Realism in the Work of Chto Delat? -- Whither Realism? -- List of Contributors -- Index
restricted access http://purl.org/coar/access_right/c_16ec
The historical avant-gardes defined themselves largely in terms of their relationship to various versions of realism. At first glance modernism primarily seems to take a counter-position against realism, yet a closer investigation reveals that these relations are more complex. This book is dedicated to the links between realism, modernism and the avant-garde in their international context from the late 19th century up to the present day.
Mode of access: Internet via World Wide Web.
In English.
9783110637021 9783110637656 9783110637533
10.1515/9783110637533 doi
LITERARY CRITICISM / General.
Avant-garde. modern art. modern literature. modernism.
809.9112
Frontmatter -- Contents -- About the Series – Sur la collection – Zur Buchreihe -- Introduction -- Realism(s) of the Avant-Garde: An Introduction -- Modernist Realism? -- Realismus – Avantgarde – Phantastik -- Mário de Andrade: Modernism, Realism, and New Stories -- Scientistic Magnetism and Hauntological Metarealism -- Conditional-Realistic Constructivism or Constructivist New Realism -- „Eine Verteidigung des Wirklichen“ -- Fremde Formen – neue Sprache -- Surpassing Realism? -- Ähnlichkeit als Konzept des SurRealismus -- Surreal Science and Scientific Surrealism -- Toward the Conquest of (Another) Reality -- D’un réalisme indiciaire : la revue Documents (1929–1930) -- Spiegelung des Selbst: Giorgio de Chirico über Gustave Courbet -- A Quest for a “New Man”: Bruno Schulz and Giorgio de Chirico -- Zeichen der Doppelbödigkeit -- When the Reality is Unreal: Camps, Towers and Internment -- Media/Documenting the Real? -- Le réalisme des appareils -- The Inconceivable Reality -- A Beautiful New World -- The Real Reality: Notes on Boris Klinč and Photomontage in the USSR -- Constructivism between the Reality and an Aesthetic Performance -- Reality as Disguise: Tadeusz Kantor’s Happenings -- The Cinema of Improvisation -- Realist Turns/Politics of Realism? -- Fernand Léger’s New Realism -- Picasso vs. Fougeron -- Whose Figuration? -- The Use(s) of Realism in Spain: Politics and the Visual Arts in the Long Sixties -- (Ir)Real Portugal -- State-commission in Modern Times -- Things/Thingness/Objectivity? -- Unter dem Pflaster ist die Kanalisation -- Modernistischer Realismus der Arbeiterbewegungsliteratur -- Das Ich und die Dinge -- “… this is without a doubt the most despicable barbarism one could attain” -- “Everything Is Symbolical” -- “Reism” in Slovenian Neo-Avant-Garde Literature and Art -- Dinge als Akteure in (neo)avantgardistischen Texten -- New Sincerity/New Openings in the Twenty-First Century? -- Rewriting the Real – Dialogic Perspectives of Interventionist Strategies in Contemporary French Literature -- Eine unzeitgemäße Zeitgenossenschaft? -- Historiographies of Realism in the Work of Chto Delat? -- Whither Realism? -- List of Contributors -- Index
restricted access http://purl.org/coar/access_right/c_16ec
The historical avant-gardes defined themselves largely in terms of their relationship to various versions of realism. At first glance modernism primarily seems to take a counter-position against realism, yet a closer investigation reveals that these relations are more complex. This book is dedicated to the links between realism, modernism and the avant-garde in their international context from the late 19th century up to the present day.
Mode of access: Internet via World Wide Web.
In English.
9783110637021 9783110637656 9783110637533
10.1515/9783110637533 doi
LITERARY CRITICISM / General.
Avant-garde. modern art. modern literature. modernism.
809.9112