»Ich bin eine Kanackin« : Decolonizing Popfeminism - Transcultural Perspectives on Lady Bitch Ray /
Tuzcu, Pinar
»Ich bin eine Kanackin« : Decolonizing Popfeminism - Transcultural Perspectives on Lady Bitch Ray / Pinar Tuzcu. - 1 online resource (192 p.) - Gender Studies .
Frontmatter -- Table of Contents -- Introduction -- „Ich bin ʼne Kanackin“ -- Situational Analysis of the Group Discussions -- Not Yet A Code—Transcultural Locational Feminism -- Conclusion -- Bibliography
restricted access http://purl.org/coar/access_right/c_16ec
Pinar Tuzcu explores rapper Lady Bitch Ray's performance and particularly her use of the term Kanackin. She combines issues of popfeminism and postmigration through speculative methodology and invites us to forget prescriptive definitions by proposing paradoxicality as a source to diversify our concepts of feminism. By means of Situational Analysis, her study works through the contradictory forms of positioning that occurred in group discussions with Turkish-German university students about Lady Bitch Ray's music videos. In this book, Tuzcu argues that these contradictory forms of positioning bear traces of emergent discourses that reach beyond Western-centric descriptions of feminism in Germany.
Mode of access: Internet via World Wide Web.
In English.
9783839435724
10.1515/9783839435724 doi
Cultural Studies.
Decolonial Approaches.
Feminist Art & Performance.
Gender Studies.
Gender.
Popfeminism.
Popular Culture.
Postcolonialism.
Rap.
Sociology.
SOCIAL SCIENCE / Gender Studies.
Cultural Studies. Decolonial Approaches. Feminist Art & Performance. Gender Studies. Gender. Popfeminism. Popular Culture. Postcolonialism. Rap. Sociology.
305.4
»Ich bin eine Kanackin« : Decolonizing Popfeminism - Transcultural Perspectives on Lady Bitch Ray / Pinar Tuzcu. - 1 online resource (192 p.) - Gender Studies .
Frontmatter -- Table of Contents -- Introduction -- „Ich bin ʼne Kanackin“ -- Situational Analysis of the Group Discussions -- Not Yet A Code—Transcultural Locational Feminism -- Conclusion -- Bibliography
restricted access http://purl.org/coar/access_right/c_16ec
Pinar Tuzcu explores rapper Lady Bitch Ray's performance and particularly her use of the term Kanackin. She combines issues of popfeminism and postmigration through speculative methodology and invites us to forget prescriptive definitions by proposing paradoxicality as a source to diversify our concepts of feminism. By means of Situational Analysis, her study works through the contradictory forms of positioning that occurred in group discussions with Turkish-German university students about Lady Bitch Ray's music videos. In this book, Tuzcu argues that these contradictory forms of positioning bear traces of emergent discourses that reach beyond Western-centric descriptions of feminism in Germany.
Mode of access: Internet via World Wide Web.
In English.
9783839435724
10.1515/9783839435724 doi
Cultural Studies.
Decolonial Approaches.
Feminist Art & Performance.
Gender Studies.
Gender.
Popfeminism.
Popular Culture.
Postcolonialism.
Rap.
Sociology.
SOCIAL SCIENCE / Gender Studies.
Cultural Studies. Decolonial Approaches. Feminist Art & Performance. Gender Studies. Gender. Popfeminism. Popular Culture. Postcolonialism. Rap. Sociology.
305.4