Anonymity Performance in Electronic Pop Music : A Performance Ethnography of Critical Practices /
Menrath, Stefanie Kiwi
Anonymity Performance in Electronic Pop Music : A Performance Ethnography of Critical Practices / Stefanie Kiwi Menrath. - 1 online resource (232 p.) - Studien zur Popularmusik .
Frontmatter -- Contents -- Acknowledgments -- 1. Laboratory Case I: Moodymann and the study of pop music persona construction -- 2. Performance in music (studies) -- 3. Laboratory Case II: Ursula Bogner and performance research -- Conclusion: Towards a reconceptualisation of ethnographic practice as collaborative imagination -- Appendix
restricted access http://purl.org/coar/access_right/c_16ec
Anonymity practices in electronic music culture have long been the object of journalistic and academic discourse. Yet anonymity itself is ephemeral and ontologically precarious. How can scholars research anonymous entities without impairing their anonymity, and what can they learn from their precarity?This study describes two projects of anonymity performance as forms of critical practice (Judith Butler/Michel Foucault) involving performative play with anonymity through the use of fake identities or collaborative persona imaginations. Adopting a reflexive and performative writing style, this performance ethnography calls for a radical performative turn and an ontological reflexivity in the cultural studies of music.
Mode of access: Internet via World Wide Web.
In English.
9783839442562
10.1515/9783839442562 doi
Anonymity.
Cultural Studies.
Ethnography.
Music.
Musicology.
Performance.
Pop Music.
Popular Culture.
Elektronische Musik
Feldforschung
Popmusik
Performance
Anonymität
Performativität
MUSIC / History & Criticism.
Anonymity. Cultural Studies. Ethnography. Music. Musicology. Performance. Pop Music. Popular Culture.
786.7
Anonymity Performance in Electronic Pop Music : A Performance Ethnography of Critical Practices / Stefanie Kiwi Menrath. - 1 online resource (232 p.) - Studien zur Popularmusik .
Frontmatter -- Contents -- Acknowledgments -- 1. Laboratory Case I: Moodymann and the study of pop music persona construction -- 2. Performance in music (studies) -- 3. Laboratory Case II: Ursula Bogner and performance research -- Conclusion: Towards a reconceptualisation of ethnographic practice as collaborative imagination -- Appendix
restricted access http://purl.org/coar/access_right/c_16ec
Anonymity practices in electronic music culture have long been the object of journalistic and academic discourse. Yet anonymity itself is ephemeral and ontologically precarious. How can scholars research anonymous entities without impairing their anonymity, and what can they learn from their precarity?This study describes two projects of anonymity performance as forms of critical practice (Judith Butler/Michel Foucault) involving performative play with anonymity through the use of fake identities or collaborative persona imaginations. Adopting a reflexive and performative writing style, this performance ethnography calls for a radical performative turn and an ontological reflexivity in the cultural studies of music.
Mode of access: Internet via World Wide Web.
In English.
9783839442562
10.1515/9783839442562 doi
Anonymity.
Cultural Studies.
Ethnography.
Music.
Musicology.
Performance.
Pop Music.
Popular Culture.
Elektronische Musik
Feldforschung
Popmusik
Performance
Anonymität
Performativität
MUSIC / History & Criticism.
Anonymity. Cultural Studies. Ethnography. Music. Musicology. Performance. Pop Music. Popular Culture.
786.7