Color and Empathy : Essays on Two Aspects of Film /
Brinckmann, Christine
Color and Empathy : Essays on Two Aspects of Film / Christine Brinckmann. - 1 online resource (260 p.) : 88 color plates - Film Culture in Transition .
Frontmatter -- Table of Contents -- Preface -- Cinematic Color as Likeness and as Artifact -- Chords of Color -- The Tension of Colors in Colorized Silent Films -- Structural Film, Structuring Color: Jenny Okun’s Still Life -- Desert Fury: A Film Noir in Color -- The Work of the Camera: Beau travail -- Empathy with the Animal -- Motor Mimicry in Hitchcock -- Abstraction and Empathy in the Early German Avant-garde -- The Role of Empathy in Documentary Film: A Case Study -- Genre Conflict in Tracey Emin’s Top Spot -- Viewer Empathy and Mosaic Structure in Frederick Wiseman’s Primate -- Casta Diva: An Empathetic Reading -- Publication Data -- Index of Films -- Index of Subjects -- Film Culture in Transition
restricted access http://purl.org/coar/access_right/c_16ec
This book focuses on two areas of interest: the poetics of color in film and the affective responses of viewers. Each essay is built around the analysis of a particular film or group of related films, which are then used to explore a range of issues including the difference between black-and-white and color, the emergence of bold color schemes in the 1950s, and empathetic viewer reactions to fictional characters, documentary subjects, animals, and architecture in film.
Mode of access: Internet via World Wide Web.
In English.
9789089646569 9789048523269
10.1515/9789048523269 doi
Colors in motion pictures.
Empathy.
Motion pictures.
Film, Media, and Communication.
Media Studies.
ART / Film & Video.
Film poetics. colour in film. documentary film. historical stylistics. viewer response.
791
Color and Empathy : Essays on Two Aspects of Film / Christine Brinckmann. - 1 online resource (260 p.) : 88 color plates - Film Culture in Transition .
Frontmatter -- Table of Contents -- Preface -- Cinematic Color as Likeness and as Artifact -- Chords of Color -- The Tension of Colors in Colorized Silent Films -- Structural Film, Structuring Color: Jenny Okun’s Still Life -- Desert Fury: A Film Noir in Color -- The Work of the Camera: Beau travail -- Empathy with the Animal -- Motor Mimicry in Hitchcock -- Abstraction and Empathy in the Early German Avant-garde -- The Role of Empathy in Documentary Film: A Case Study -- Genre Conflict in Tracey Emin’s Top Spot -- Viewer Empathy and Mosaic Structure in Frederick Wiseman’s Primate -- Casta Diva: An Empathetic Reading -- Publication Data -- Index of Films -- Index of Subjects -- Film Culture in Transition
restricted access http://purl.org/coar/access_right/c_16ec
This book focuses on two areas of interest: the poetics of color in film and the affective responses of viewers. Each essay is built around the analysis of a particular film or group of related films, which are then used to explore a range of issues including the difference between black-and-white and color, the emergence of bold color schemes in the 1950s, and empathetic viewer reactions to fictional characters, documentary subjects, animals, and architecture in film.
Mode of access: Internet via World Wide Web.
In English.
9789089646569 9789048523269
10.1515/9789048523269 doi
Colors in motion pictures.
Empathy.
Motion pictures.
Film, Media, and Communication.
Media Studies.
ART / Film & Video.
Film poetics. colour in film. documentary film. historical stylistics. viewer response.
791