Sonic Time Machines : Explicit Sound, Sirenic Voices, and Implicit Sonicity /
Ernst, Wolfgang
Sonic Time Machines : Explicit Sound, Sirenic Voices, and Implicit Sonicity / Wolfgang Ernst. - 1 online resource (184 p.) - Recursions .
Frontmatter -- Content -- Preface -- Foreword: Wolfgang Ernst's Mediaarchaeological soundings -- Part I Definitions of Sonicity and the Sonic Time Machine -- 1. Introduction: On 'sonicity' -- 2. Beeing as 'Stimmung' -- 3. Sonic re-presencing -- 4. The sonic computer -- Part II Cultural Soundings and Their Engineering -- 5. Resonance of siren songs: Experimenting cultural sonicity -- 6. Textual sonicity: Technologizing oral poetry -- Part III Techno-Sonicity and Its Beeing-In-Time -- 7. History or resonance? -- 8. From sound signal to alphanumeric symbol -- 9. Rescued from the archive: Archaeonautics of sound -- 10. Sonic analytics -- Notes -- Works cited -- Index
restricted access http://purl.org/coar/access_right/c_16ec
Our studies of aesthetics and knowledge have long tended to privilege the visual - at the expense, Wolfgang Ernst argues, of the aural. Sonic Time Machines aims to correct that, presenting a striking new approach to theorising sound that investigates its split existence: as a temporal effect in a techno-cultural context and as a source of knowledge and information. Ernst creates a new term for the concept at the heart of the book, "sonicity," a flexible and powerful term that allows him to consider sound with all its many physical, philosophical, and cultural valences.
Mode of access: Internet via World Wide Web.
In English.
9789089649492 9789048528479
10.1515/9789048528479 doi
2016442489
Music--Philosophy and aesthetics.
Sound (Philosophy)
Sound in mass media.
Film, Media, and Communication.
Media Studies.
SOCIAL SCIENCE / Media Studies.
Sonicity, acoustic memory, media time.
B105.S59 / .E76 2016.
780.1
Sonic Time Machines : Explicit Sound, Sirenic Voices, and Implicit Sonicity / Wolfgang Ernst. - 1 online resource (184 p.) - Recursions .
Frontmatter -- Content -- Preface -- Foreword: Wolfgang Ernst's Mediaarchaeological soundings -- Part I Definitions of Sonicity and the Sonic Time Machine -- 1. Introduction: On 'sonicity' -- 2. Beeing as 'Stimmung' -- 3. Sonic re-presencing -- 4. The sonic computer -- Part II Cultural Soundings and Their Engineering -- 5. Resonance of siren songs: Experimenting cultural sonicity -- 6. Textual sonicity: Technologizing oral poetry -- Part III Techno-Sonicity and Its Beeing-In-Time -- 7. History or resonance? -- 8. From sound signal to alphanumeric symbol -- 9. Rescued from the archive: Archaeonautics of sound -- 10. Sonic analytics -- Notes -- Works cited -- Index
restricted access http://purl.org/coar/access_right/c_16ec
Our studies of aesthetics and knowledge have long tended to privilege the visual - at the expense, Wolfgang Ernst argues, of the aural. Sonic Time Machines aims to correct that, presenting a striking new approach to theorising sound that investigates its split existence: as a temporal effect in a techno-cultural context and as a source of knowledge and information. Ernst creates a new term for the concept at the heart of the book, "sonicity," a flexible and powerful term that allows him to consider sound with all its many physical, philosophical, and cultural valences.
Mode of access: Internet via World Wide Web.
In English.
9789089649492 9789048528479
10.1515/9789048528479 doi
2016442489
Music--Philosophy and aesthetics.
Sound (Philosophy)
Sound in mass media.
Film, Media, and Communication.
Media Studies.
SOCIAL SCIENCE / Media Studies.
Sonicity, acoustic memory, media time.
B105.S59 / .E76 2016.
780.1