Andrzej Zulawski : Abject Cinema /
Corinth, Henri
Andrzej Zulawski : Abject Cinema / Henri Corinth. - 1 online resource (248 p.) - Eastern European screen cultures ; 7 .
Frontmatter -- Table of Contents -- Acknowledgements -- Part I Landscapes of Affect -- 1 Kristeva and Żuławski -- 2 Żuławski and Ideology -- 3 The Maternal -- 4 Landscapes of Affect -- Part II Abject Cinema -- 5 “Children Are an Ism” -- 6 Coenesthesia -- 7 Borders -- 8 Performance -- 9 Loss of Subjecthood -- 10 Returning to the Womb -- 11 The Image of Film Violence -- 12 The Sight of a Corpse -- Part III Unfathomable, Darkness—A Conclusion -- Conclusion -- Filmography -- Bibliography -- Index of Subjects -- Index of Names -- Index of Titles
restricted access http://purl.org/coar/access_right/c_16ec
Andrzej Zulawski (1940–2016) was born in Lwów, Poland (now Lviv, Ukraine) and educated in Paris. From 1971 to 2015 he directed thirteen feature films. Andrzej Zulawski: Abject Cinema interprets the director’s oeuvre through the methodological lens of Julia Kristeva’s notions of the abject and the semiotic chora, with the narratives in Zulawski’s filmography amounting to an experience of the abject -being not merely the state of affairs among the films’ subjects but also of their collective regression to a semiotic non-verbal state divorced from the symbolic verbal-visual language employed by cinema as a whole. It further contextualizes this interpretation with the sociopolitical circumstances from which Zulawski emerged, specifically his Polish homeland occupied by various foreign powers, his emigre status in France, and the influence of the Polish Romantic movement.
Mode of access: Internet via World Wide Web.
In English.
9789048562688
10.1515/9789048562688 doi
Motion picture producers and directors--Poland.
AUP Wetenschappelijk.
Amsterdam University Press.
Film Studies.
Film, Media, and Communication.
Linguistics.
Philosophy.
Psychology.
ART / Film & Video.
Film Studies, Slavic/Eastern European studies, semiotics, psychology.
PN1998.3.Z77 / D4 2024
791.4302/33092
Andrzej Zulawski : Abject Cinema / Henri Corinth. - 1 online resource (248 p.) - Eastern European screen cultures ; 7 .
Frontmatter -- Table of Contents -- Acknowledgements -- Part I Landscapes of Affect -- 1 Kristeva and Żuławski -- 2 Żuławski and Ideology -- 3 The Maternal -- 4 Landscapes of Affect -- Part II Abject Cinema -- 5 “Children Are an Ism” -- 6 Coenesthesia -- 7 Borders -- 8 Performance -- 9 Loss of Subjecthood -- 10 Returning to the Womb -- 11 The Image of Film Violence -- 12 The Sight of a Corpse -- Part III Unfathomable, Darkness—A Conclusion -- Conclusion -- Filmography -- Bibliography -- Index of Subjects -- Index of Names -- Index of Titles
restricted access http://purl.org/coar/access_right/c_16ec
Andrzej Zulawski (1940–2016) was born in Lwów, Poland (now Lviv, Ukraine) and educated in Paris. From 1971 to 2015 he directed thirteen feature films. Andrzej Zulawski: Abject Cinema interprets the director’s oeuvre through the methodological lens of Julia Kristeva’s notions of the abject and the semiotic chora, with the narratives in Zulawski’s filmography amounting to an experience of the abject -being not merely the state of affairs among the films’ subjects but also of their collective regression to a semiotic non-verbal state divorced from the symbolic verbal-visual language employed by cinema as a whole. It further contextualizes this interpretation with the sociopolitical circumstances from which Zulawski emerged, specifically his Polish homeland occupied by various foreign powers, his emigre status in France, and the influence of the Polish Romantic movement.
Mode of access: Internet via World Wide Web.
In English.
9789048562688
10.1515/9789048562688 doi
Motion picture producers and directors--Poland.
AUP Wetenschappelijk.
Amsterdam University Press.
Film Studies.
Film, Media, and Communication.
Linguistics.
Philosophy.
Psychology.
ART / Film & Video.
Film Studies, Slavic/Eastern European studies, semiotics, psychology.
PN1998.3.Z77 / D4 2024
791.4302/33092