Library Catalog

History of Photography / (Record no. 185558)

MARC details
000 -Leader
Leader 10085nam a22004815i 4500
001 - Numero di controllo
Numero di controllo 185558
003 - Identificatore del numero di controllo
Identificatore del numero di controllo IT-RoAPU
005 - Data e orario dell'ultima transazione
Data e orario dell'ultima transazione 20221214232211.0
006 - Elementi di lunghezza fissa--Caratteristiche del materiale allegato--Informazione generale
Elementi di lunghezza fissa--Caratteristiche del materiale allegato--Informazione generale m|||||o||d||||||||
007 - Campo fisso per la descrizione fisica--informazione generale
Campo fisso per la descrizione fisica--informazione generale cr || ||||||||
008 - Elementi di lunghezza fissa--Informazione generale
Elementi di lunghezza fissa--Informazione generale 210830t19451945nyu fo d z eng d
020 ## - International Standard Book Number
ISBN (International Standard Book Number) 9780231914307
Qualifying information print
020 ## - International Standard Book Number
ISBN (International Standard Book Number) 9780231883702
Qualifying information PDF
024 7# - Altri identificatori standard
Numero standard o codice 10.7312/eder91430
Fonte del numero o codice doi
035 ## - Numero di controllo del sistema
Numero di controllo del sistema (DE-B1597)9780231883702
035 ## - Numero di controllo del sistema
Numero di controllo del sistema (DE-B1597)509693
035 ## - Numero di controllo del sistema
Numero di controllo del sistema (OCoLC)1100426378
040 ## - Fonte della catalogazione
Agenzia catalografica originale DE-B1597
Lingua della catalogazione eng
Agenzia che fa la trascrizione DE-B1597
Regole di descrizione rda
072 #7 - Codice di categoria di soggetto
Codice di categoria di soggetto PHO010000
Fonte bisacsh
084 ## - Numero d’altra classificazione
Numero di classificazione online - DeGruyter
100 1# - Accesso principale -- nome di persona
Nome di persona Eder, Josef Maria
Termine di ruolo autore
245 10 - Formulazione del titolo
Titolo History of Photography /
Formulazioni di responsabilità, ecc. Josef Maria Eder.
264 #1 - Produzione, pubblicazione, etc di un'opera
Luogo di produzione, pubblicazione, ecc. New York, NY :
Nome del produttore, editore, ecc. Columbia University Press,
Data di produzione, specificazione, ecc. [1945]
264 #4 - Produzione, pubblicazione, etc di un'opera
Data di produzione, specificazione, ecc. ©1945
300 ## - Descrizione fisica
Estensione 1 online resource (862 p.)
336 ## - Tipo contenuto
Tipo contenuto
Tipo contenuto (codice) txt
Fonte rdacontent
337 ## - Tipo formato
Tipo formato
Tipo formato (codice) c
Fonte rdamedia
338 ## - Formato di trasporto
Formato di trasporto
Formato di trasporto (codice) cr
Fonte rdacarrier
347 ## - Caratteristiche file digitale
Tipo file text file
Formato di codifica PDF
Fonte rda
505 00 - Nota formattata di contenuto
Titolo Frontmatter --
-- Preface to the Third Edition (1905) --
-- Preface to the Fourth Edition (1931) --
-- Translator’s Preface --
-- Contents --
-- I. From Aristotle (Fourth Century before Christ) to the Alchemists --
-- II. Influence of Light on Purple Dyeing by the Ancients --
-- III. Thought and Teaching of the Alchemists --
-- IV. Experiments with Nature-Printing in the Sixteenth and Seventeenth Centuries --
-- V. The History of the Camera Obscura --
-- VI. Stereoscopic (Binocular) Vision --
-- VII. The Invention of Projection Apparatus in the Seventeenth Century --
-- VII. (Rewritten). The Invention of Projection Apparatus --
-- VIII. Studies of Photochemistry by Investigators of the Seventeenth Century up to Bestuscheff’s Discovery in 1725 of the Sensitivity of Iron Salts to the Light and the Retrogression of Processes in Darkness --
-- IX. Phenomena of Phosphorescence: Luminous Stone; Discovery of the Light-Sensitivity of Silver Salt; the First Photographic Printing Process by Schulze, 1727 --
-- X. The Life of Johann Heinrich Schulze --
-- XI. Photochemical Research in the Eighteenth Century until Beccarius and Bonzius (1757), Together with a Digression on the Knowledge at That Time of the Instability of Colors --
-- XII. From "Giphantie" (1761) to Scheele (1777) --
-- XIII. From Priestley (1777) to Senebier (1782); Together with an Excursion into the Application Made in Those Days of Light-Sensitive Compounds to Magic Arts --
-- XIV. From Scopoli (1783) to Rumford (1798) --
-- XV. From Vauquelin (1798) to Davy (1802) --
-- XVI. The Studies of Sage (1803), Link, and Heinrich on the Nature of Light (1804-8) up to Gay-Lussac and Thenard (1810) --
-- XVII. From the Discovery of Photography in Natural Colors by Seebeck (1810) to the Publication of Daguerre's Process (1839) --
-- XVIII. Special Investigations into the Action of Light on Dyestuffs and Organic Compounds (1824–35) --
-- XIX. Joseph Nicephore Niepce --
-- XX. Relationship between Niepce and Daguerre --
-- XXI. The Life of Daguerre --
-- XXII. The Agreement between Nicephore Niepce and Daguerre (1829) --
-- XXIII. Daguerre Discovers the Light-Sensitivity of Iodized Silvered Plates --
-- XXIV. Joseph Nicephore Niépce’s Death in 1833; His Son Isidore Takes His Father’s Place in the Contract of 1829 with Daguerre; Daguerre Discovers Development with Mercury Vapors --
-- XXV. Daguerre and Isidore Niépce Attempt Unsuccessfully in 1837 to Sell Daguerreotypy by Subscription; They Offer Their Invention to the Government; Arago’s Report to the Academy on January 7, 1839; Agreement Arrived at June 14, 1839 --
-- XXVI. Bill for the Purchase of the Invention of Daguerreotypy by the French Government, Which Donates It to the World at Large --
-- XXVII. Daguerre's Activities after the Publication of Daguerreotypy; Report on Daguerreotypy to the Emperor of Austria --
-- XXVIII. Success of Daguerreotypy and Its Commercial Use; the First Daguerreotype Cameras, 1839 --
-- XXIX. Commercialization of Daguerreotypy; Description of the Process --
-- XXX. First Use of the Word “Photography”, March 14, 1839 --
-- XXXI. Scientific Investigation of the Chemico-physical Basis of Photography --
-- XXXII. The First Daguerreotype Portraits; Exposures Reduced to Seconds --
-- XXXIII. The Daguerreotype Process in Practice --
-- XXXIV. Petzval’s Portrait Lens and the Orthoscope --
-- XXXV. Daguerreotypy as a Profession, 1840–60 --
-- XXXVI. Colored Daguerreotypes --
-- XXXVII. Invention of Photography with Negatives and Positives on Paper and Its Practical Development by Talbot --
-- XXXVIII. Reaction of the Invention of the Daguerreotype, the Talbotype, and the Earlier Photomechanical Processes on the Modern Processes of the Graphic Arts --
-- XXXIX. Bayard’s Direct Paper Positives in the Camera and Analogous Methods --
-- XL. Reflectography (Breyerotypy) by Albrecht Breyer, 1839 --
-- XLI. Photographic Negatives on Glass (Niepceotypes) --
-- XLII. The Wet Collodion Process --
-- XLIII. Beginning of Photography as an Art by Daguerreotypy, Calotypy, and the Wet Collodion Process --
-- XLIV. Portable Darkrooms; Theory and Practice of the Wet Collodion Process --
-- XLV. Direct Collodion Positives in the Camera --
-- XLVI. Chemical Sensitizers for Silver Halides --
-- XLVII. The Dry Collodion Process and the Invention of Alkaline Development --
-- XLVIII. Invention of Collodion Emulsion --
-- XLIX. Invention of Collodion Layers for the Production of Stripping Films on Spools --
-- L. Stereoscopic Photography --
-- LI. Microphotography --
-- LII. Photomicrography and Projection --
-- LIII. The Solar Camera --
-- LIV. Balloon Photography --
-- LV. Photogrammetry --
-- LVI. Modern Photographic Optics --
-- LVII. Further Development of Photochemistry and Photographic Photometry --
-- LVIII. Photoelectric Properties of Selenium --
-- LIX. Gelatine Silver Bromide --
-- LX. Gradual Increase of Sensitivity of Photographic Processes from 1827 until the Present Time --
-- LXI. Gelatine Silver Bromide Paper for Prints and Enlargements --
-- LXII. The Discovery of Gelatino-Silver Chloride for Transparencies and Positive Paper Images by Chemical Development (1881); Artificial Light Papers --
-- LXIII. Calculation of Exposure, Determination of Photographic Speeds, Sensitometry, and the Laws Governing Density --
-- LXIV. Discovery of Color-Sensitizing of Photographic Emulsions in 1873; Professor H. W. Vogel Discovers Optical Sensitizing --
-- LXV. Discovery of Desensitizing --
-- LXVI. Film Photography and the Rapid Growth of Amateur Photography --
-- XXVII. The Stroboscope and Other Early Devices Showing the Illusion of Movement in Pictures --
-- LXVIII. Eadweard Muybridge’s Motion Picture Photography --
-- LXIX. Photographic Analysis of Movement by Janssen and Marey --
-- LXX. Ottomar Anschiitz Records Movement by Instantaneous Photography and Invents the Electrotachyscope (1887) --
-- LXXI. Development of Cinematography --
-- LXXII. Photographing Projectiles in Flight and Air Eddies --
-- LXXIII. Artificial Light in Photography --
-- LXXIV. Printing-out Processes with Silver Salts --
-- LXXV. Mordant-Dye Images on a Silver Base; Uvachromy and Allied Processes --
-- LXXVI. Printing Methods with Iron Salts; Photographic Tracing Method (Blue Prints, etc.); Platinotype --
-- LXXVII. Fotol Printing (1905) and Printing Photographic Tracings [Blueprints, Brown Prints, and Others] on Lithographic Presses (1909) --
-- LXXVIII. Photographic Printing Methods with Light-Sensitive Diazo Compounds: Diazotypy, Primuline Process, Ozalid Paper --
-- LXXIX. Discovery of the Photographic Processes with Chromates by Ponton (1839), and of the Light-Sensitivity of Chromated Gelatine by Talbot (1852) --
-- LXXX. Gum Pigment Method --
-- LXXXI. Pigment Images by Contact; Marion (1873); Manly's Ozotype (1898); Ozobrome Process (1905); Carbro Prints --
-- LXXXII. Oil Printing --
-- LXXXIII. Bromoil Process --
-- LXXXIV. Photoceramics, Enamel Pictures with Collodion, and Dusting-on Methods --
-- LXXXV. Electrotypes; Auer’s Nature Prints --
-- LXXXVI. Electrotypes and Galvanic Etchings --
-- LXXXVII. Photogravure with Etched or Galvanically Treated Daguerreotype Plates --
-- LXXXVIII. Invention of Photoelectrotypes for Copperplate Printing and Typographic Reproduction --
-- LXXXIX. Production of Heliogravures by Means of the Asphaltum Method; Beginning of Halftone Steel Etching --
-- XC. Heliographie Steel and Copper Etching with the Chromated Glue Process; Klic’s Photogravure; Printing with the Doctor; Rotogravure --
-- XCI. Photolithography; Zincography; Algraphy --
-- XCII. Collotype --
-- XCIII. Photographic Etching on Metal for Typographic Printing, Zincography, Copper Etching, and the Halftone Process --
-- XCIV. Three-Color Photography --
-- XCV. Photochromy; Color Photography with Silver Photochloride; Lippmann’s Interference Method and “Photographie Intégrale”; Kodacolor; Bleaching-out Process --
-- XCVI. Photographic Technical Journals, Societies, and Educational Institutions --
-- XCVII. Supplement to the Chapters on Daguerreotypy and Cinematography --
-- Biography of Josef Maria Eder, by Hinricus Lüppo-Cramer --
-- Notes --
-- Index
506 0# - Nota sulle restrizioni all'accesso
Condizioni che regolano l'accesso restricted access
URI (Uniform Resource Identifier) <a href="http://purl.org/coar/access_right/c_16ec">http://purl.org/coar/access_right/c_16ec</a>
Terminologia normalizzata della restrizione all’accesso online access with authorization
Fonte del termine star
520 ## - Riassunto, ecc.
Nota di riassunto, ecc. Describes the development of the history of photography from an international viewpoint, especially later than Daguerre. Includes chapters on the development of various photochemical processes, the theory of color and light, the invention of cameras and projection apparatus, and prominent figures in the field.
538 ## - Nota sui requisiti del sistema
Nota sui requisiti del sistema Mode of access: Internet via World Wide Web.
546 ## - Nota sulla lingua
Nota sulla lingua In English.
588 0# - Nota sulla fonte della discrezione
Nota sulla fonte della discrezione Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650 #7 - Accesso aggiunto di soggetto--termine topico
Termine topico o nome geografico come accesso Photography / History.
Fonte dell'intestazione o del termine bisacsh
700 1# - Accesso aggiunto--nome di persona
Nome di persona Epstean, Edward
Termine di ruolo autore
850 ## - Istituzione possedente
Istituzione possedente IT-RoAPU
856 40 - Localizzazione e accesso elettronico
URI (Uniform Resource Identifier) <a href="https://doi.org/10.7312/eder91430">https://doi.org/10.7312/eder91430</a>
856 40 - Localizzazione e accesso elettronico
URI (Uniform Resource Identifier) <a href="https://www.degruyter.com/isbn/9780231883702">https://www.degruyter.com/isbn/9780231883702</a>
856 42 - Localizzazione e accesso elettronico
Materiale specificato Cover
URI (Uniform Resource Identifier) <a href="https://www.degruyter.com/cover/covers/9780231883702.jpg">https://www.degruyter.com/cover/covers/9780231883702.jpg</a>
942 ## - Dati aggiuntivi (Koha)
Tipo copia default (Koha) eBook
Holdings
Ritirato (status) Perso (status) Fonte class. o schema coll. Danneggiato (status) Restrizioni all'uso Non per il presito Biblioteca proprietaria Biblioteca in cui si trova Localizzazione Data acquisto Tipo di acquisizione Totale prestiti Collocazione Codice a barre Data ultima operazione URI Prezzo effettivo Tipo copia Nota pubblica
Non ritirata Non persa Classificazione Angelicum Non danneggiata Accesso limitato Per il prestito Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online 14/12/2022 Abbonamento   online - DeGruyter (dgr)9780231883702 14/12/2022 https://www.degruyter.com/isbn/9780231883702 14/12/2022 eBook Accesso per gli utenti autorizzati / Access for authorized users