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Revelry, rivalry, and longing for the goddesses of Bengal : the fortunes of Hindu festivals / Rachel Fell McDermott.

By: Material type: TextTextPublisher: New York : Columbia University Press New York, 2011Copyright date: ©201Copyright date: ©2011Description: 1 online resource (xviii, 372 pages) : illustrationsContent type:
Media type:
Carrier type:
ISBN:
  • 9780231527873
  • 023152787X
Subject(s): Genre/Form: Additional physical formats: Print version:: Revelry, rivalry, and longing for the Goddesses of Bengal.DDC classification:
  • 294.5/36095414 22
LOC classification:
  • BL1239.82.D87 M33 2011eb
Other classification:
  • online - EBSCO
Online resources:
Contents:
Pūjā origins and elite politics -- The goddess in colonial and postcolonial history -- Durgā the daughter : folk and familial traditions -- The artistry of Durgā and Jagaddhātrī -- Durgā on the Titanic : politics and religion in the Pūjā -- The "orientalist Kālī" : a Tantric icon comes alive -- Approaches to Kālī Pūjā in Bengal -- Controversies and the goddess -- Deva in the diaspora -- Appendix : an overview of the press in Bengal up to 1947.
Summary: Annually during the months of autumn, Bengal hosts three interlinked festivals to honor its most important goddesses: Durga, Kali, and Jagaddhatri. While each of these deities possesses a distinct iconography, myth, and character, they are all martial. Durga, Kali, and Jagaddhatri often demand blood sacrifice as part of their worship and offer material and spiritual benefits to their votaries. Richly represented in straw, clay, paint, and decoration, they are similarly displayed in elaborately festooned temples, thronged by thousands of admirers. The first book to recount the history of these festivals and their revelry, rivalry, and nostalgic power, this volume marks an unprecedented achievement in the mapping of a major public event. Rachel Fell McDermott describes the festivals' origins and growth under British rule. She identifies their iconographic conventions and carnivalesque qualities and their relationship to the fierce, Tantric sides of ritual practice. McDermott confronts controversies over the tradition of blood sacrifice and the status-seekers who compete for symbolic capital. Expanding her narrative, she takes readers beyond Bengal's borders to trace the transformation of the goddesses and their festivals across the world. McDermott's work underscores the role of holidays in cultural memory, specifically the Bengali evocation of an ideal, culturally rich past. Under the thrall of the goddess, the social, political, economic, and religious identity of Bengalis takes shape.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - EBSCO (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (ebsco)944942

Includes bibliographical references (pages 329-351) and index.

Pūjā origins and elite politics -- The goddess in colonial and postcolonial history -- Durgā the daughter : folk and familial traditions -- The artistry of Durgā and Jagaddhātrī -- Durgā on the Titanic : politics and religion in the Pūjā -- The "orientalist Kālī" : a Tantric icon comes alive -- Approaches to Kālī Pūjā in Bengal -- Controversies and the goddess -- Deva in the diaspora -- Appendix : an overview of the press in Bengal up to 1947.

Print version record.

Annually during the months of autumn, Bengal hosts three interlinked festivals to honor its most important goddesses: Durga, Kali, and Jagaddhatri. While each of these deities possesses a distinct iconography, myth, and character, they are all martial. Durga, Kali, and Jagaddhatri often demand blood sacrifice as part of their worship and offer material and spiritual benefits to their votaries. Richly represented in straw, clay, paint, and decoration, they are similarly displayed in elaborately festooned temples, thronged by thousands of admirers. The first book to recount the history of these festivals and their revelry, rivalry, and nostalgic power, this volume marks an unprecedented achievement in the mapping of a major public event. Rachel Fell McDermott describes the festivals' origins and growth under British rule. She identifies their iconographic conventions and carnivalesque qualities and their relationship to the fierce, Tantric sides of ritual practice. McDermott confronts controversies over the tradition of blood sacrifice and the status-seekers who compete for symbolic capital. Expanding her narrative, she takes readers beyond Bengal's borders to trace the transformation of the goddesses and their festivals across the world. McDermott's work underscores the role of holidays in cultural memory, specifically the Bengali evocation of an ideal, culturally rich past. Under the thrall of the goddess, the social, political, economic, and religious identity of Bengalis takes shape.

In English.