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Our Savage Art : Poetry and the Civil Tongue / William Logan.

By: Material type: TextTextPublisher: New York, NY : Columbia University Press, [2009]Copyright date: ©2009Description: 1 online resource (368 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780231147330
  • 9780231519618
Subject(s): LOC classification:
  • PS323.5L6442012
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Acknowledgments -- The Bowl of Diogenes; or, The End of Criticism -- Verse Chronicle Out on the Lawn -- Verse Chronicle Stouthearted Men -- The Most Contemptible Moth Lowell in Letters -- Forward Into the Past Reading the New Critics -- Verse Chronicle One If by Land -- Verse Chronicle The Great American Desert -- The State with the Prettiest Name -- Elizabeth Bishop Unfinished -- Elizabeth Bishop's Sullen Art -- Verse Chronicle Jumping the Shark -- Verse Chronicle Victoria's Secret -- Attack of the Anthologists -- The Lost World of Lawrence Durrell -- Hart Crane Overboard -- On Reviewing Hart Crane -- The Endless Ocean of Derek Walcott -- The Civil Power of Geoffrey Hill -- Verse Chronicle God's Chatter -- Verse Chronicle Let's Do It, Let's Fall in Luff -- Pynchon in the Poetic -- Back to the Future (Thomas Pynchon) -- Verse Chronicle The World Is Too Much with Us -- Verse Chronicle Valentine's Day Massacre -- The Forgotten Masterpiece of John Townsend Trowbridge -- Frost at Midnight -- Interview by Garrick Davis -- Permissions -- Books Under Review -- Index of Authors Reviewed -- Biographical Note
Summary: The most notorious poet-critic of his generation, William Logan has defined our view of poets good and bad, interesting and banal, for more than three decades. Featured in the New York Times Book Review, the Times Literary Supplement, and the New Criterion, among other journals, Logan's eloquent, passionate prose never fails to provoke readers and poets, reminding us of the value and vitality of the critic's savage art.Like The Undiscovered Country: Poetry in the Age of Tin, which won the National Book Critics Circle Award in Criticism, Our Savage Art features the corrosive wit and darkly discriminating critiques that have become the trademarks of Logan's style. Opening with a defense of the critical eye, this collection features essays on Robert Lowell's correspondence, Elizabeth Bishop's unfinished poems, the inflated reputation of Hart Crane, the loss of the New Critics, and a damning-and already highly controversial-indictment of an edition of Robert Frost's notebooks. Logan also includes essays on Derek Walcott and Geoffrey Hill, two crucial figures in the divided world of contemporary poetry, and an attempt to rescue the reputation of the nineteenth-century poet John Townsend Trowbridge. Short reviews consider John Ashbery, Anne Carson, Billy Collins, Rita Dove, Louise Glück, Jorie Graham, Robert Hass, Seamus Heaney, and dozens of others. Though he might be called a cobra with manners, Logan is a fervent advocate for poetry, and Our Savage Art continues to raise the standard of what the critic can do.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780231519618

Frontmatter -- Contents -- Acknowledgments -- The Bowl of Diogenes; or, The End of Criticism -- Verse Chronicle Out on the Lawn -- Verse Chronicle Stouthearted Men -- The Most Contemptible Moth Lowell in Letters -- Forward Into the Past Reading the New Critics -- Verse Chronicle One If by Land -- Verse Chronicle The Great American Desert -- The State with the Prettiest Name -- Elizabeth Bishop Unfinished -- Elizabeth Bishop's Sullen Art -- Verse Chronicle Jumping the Shark -- Verse Chronicle Victoria's Secret -- Attack of the Anthologists -- The Lost World of Lawrence Durrell -- Hart Crane Overboard -- On Reviewing Hart Crane -- The Endless Ocean of Derek Walcott -- The Civil Power of Geoffrey Hill -- Verse Chronicle God's Chatter -- Verse Chronicle Let's Do It, Let's Fall in Luff -- Pynchon in the Poetic -- Back to the Future (Thomas Pynchon) -- Verse Chronicle The World Is Too Much with Us -- Verse Chronicle Valentine's Day Massacre -- The Forgotten Masterpiece of John Townsend Trowbridge -- Frost at Midnight -- Interview by Garrick Davis -- Permissions -- Books Under Review -- Index of Authors Reviewed -- Biographical Note

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

The most notorious poet-critic of his generation, William Logan has defined our view of poets good and bad, interesting and banal, for more than three decades. Featured in the New York Times Book Review, the Times Literary Supplement, and the New Criterion, among other journals, Logan's eloquent, passionate prose never fails to provoke readers and poets, reminding us of the value and vitality of the critic's savage art.Like The Undiscovered Country: Poetry in the Age of Tin, which won the National Book Critics Circle Award in Criticism, Our Savage Art features the corrosive wit and darkly discriminating critiques that have become the trademarks of Logan's style. Opening with a defense of the critical eye, this collection features essays on Robert Lowell's correspondence, Elizabeth Bishop's unfinished poems, the inflated reputation of Hart Crane, the loss of the New Critics, and a damning-and already highly controversial-indictment of an edition of Robert Frost's notebooks. Logan also includes essays on Derek Walcott and Geoffrey Hill, two crucial figures in the divided world of contemporary poetry, and an attempt to rescue the reputation of the nineteenth-century poet John Townsend Trowbridge. Short reviews consider John Ashbery, Anne Carson, Billy Collins, Rita Dove, Louise Glück, Jorie Graham, Robert Hass, Seamus Heaney, and dozens of others. Though he might be called a cobra with manners, Logan is a fervent advocate for poetry, and Our Savage Art continues to raise the standard of what the critic can do.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)