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Heritage, Culture, and Politics in the Postcolony / Daniel Herwitz.

By: Material type: TextTextPublisher: New York, NY : Columbia University Press, [2012]Copyright date: ©2012Description: 1 online resource (232 p.) : 24 illusContent type:
Media type:
Carrier type:
ISBN:
  • 9780231160186
  • 9780231530729
Subject(s): DDC classification:
  • 907.2 23
LOC classification:
  • D16.166 .H47 2012
  • D16.166 .H47 2012
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Preface -- Acknowledgments -- One. The Heritage of Heritage -- Two. Recovering and Inventing the Past: M. F. Husain's Live Action Heritage -- Three. Sustaining Heritage Off the Road to Kruger Park -- Four. Monument, Ruin, and Redress in South African Heritage -- Five. Renaissance and Pandemic -- Six. Tocqueville on the Bridge to Nowhere -- Epilogue -- Notes -- Index
Summary: The act of remaking one's history into a heritage, a conscientiously crafted narrative placed over the past, is a thriving industry in almost every postcolonial culture. This is surprising, given the tainted role of heritage in so much of colonialism's history. Yet the postcolonial state, like its European predecessor of the eighteenth and nineteenth centuries, deploys heritage institutions and instruments, museums, courts of law, and universities to empower itself with unity, longevity, exaltation of value, origin, and destiny. Bringing the eye of a philosopher, the pen of an essayist, and the experience of a public intellectual to the study of heritage, Daniel Herwitz reveals the febrile pitch at which heritage is staked. In this absorbing book, he travels to South Africa and unpacks its controversial and robust confrontations with the colonial and apartheid past. He visits India and reads in its modern art the gesture of a newly minted heritage idealizing the precolonial world as the source of Indian modernity. He traverses the United States and finds in its heritage of incessant invention, small town exceptionalism, and settler destiny a key to contemporary American media-driven politics. Showing how destabilizing, ambivalent, and potentially dangerous heritage is as a producer of contemporary social, aesthetic, and political realities, Herwitz captures its perfect embodiment of the struggle to seize culture and society at moments of profound social change.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780231530729

Frontmatter -- Contents -- Preface -- Acknowledgments -- One. The Heritage of Heritage -- Two. Recovering and Inventing the Past: M. F. Husain's Live Action Heritage -- Three. Sustaining Heritage Off the Road to Kruger Park -- Four. Monument, Ruin, and Redress in South African Heritage -- Five. Renaissance and Pandemic -- Six. Tocqueville on the Bridge to Nowhere -- Epilogue -- Notes -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

The act of remaking one's history into a heritage, a conscientiously crafted narrative placed over the past, is a thriving industry in almost every postcolonial culture. This is surprising, given the tainted role of heritage in so much of colonialism's history. Yet the postcolonial state, like its European predecessor of the eighteenth and nineteenth centuries, deploys heritage institutions and instruments, museums, courts of law, and universities to empower itself with unity, longevity, exaltation of value, origin, and destiny. Bringing the eye of a philosopher, the pen of an essayist, and the experience of a public intellectual to the study of heritage, Daniel Herwitz reveals the febrile pitch at which heritage is staked. In this absorbing book, he travels to South Africa and unpacks its controversial and robust confrontations with the colonial and apartheid past. He visits India and reads in its modern art the gesture of a newly minted heritage idealizing the precolonial world as the source of Indian modernity. He traverses the United States and finds in its heritage of incessant invention, small town exceptionalism, and settler destiny a key to contemporary American media-driven politics. Showing how destabilizing, ambivalent, and potentially dangerous heritage is as a producer of contemporary social, aesthetic, and political realities, Herwitz captures its perfect embodiment of the struggle to seize culture and society at moments of profound social change.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)