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The Future as Catastrophe : Imagining Disaster in the Modern Age / Eva Horn.

By: Contributor(s): Material type: TextTextPublisher: New York, NY : Columbia University Press, [2018]Copyright date: ©2018Description: 1 online resource : 44 b&w illustrationsContent type:
Media type:
Carrier type:
ISBN:
  • 9780231188623
  • 9780231547956
Subject(s): DDC classification:
  • 809/.933582 23
LOC classification:
  • PN3352.D57 H6713 2018
  • PN3352.D57 H6713 2018
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1. LAST MEN -- 2. CATASTROPHE WITHOUT EVENT: IMAGINING CLIMATE DISASTER -- 3. SURVIVAL: THE BIOPOLITICS OF CATASTROPHE -- 4. THE FUTURE OF THINGS: ACCIDENTS AND TECHNICAL SAFETY -- 5. THE PARADOXES OF PREDICTION -- CONCLUSION -- NOTES -- BIBLIOGRAPHY -- INDEX
Summary: Why do we have the constant feeling that disaster is looming? Beyond the images of atomic apocalypse that have haunted us for decades, we are dazzled now by an array of possible catastrophe scenarios: climate change, financial crises, environmental disasters, technological meltdowns-perennial subjects of literature, film, popular culture, and political debate. Is this preoccupation with catastrophe questionable alarmism or complacent passivity? Or are there certain truths that can be revealed only in apocalypse?In The Future as Catastrophe, Eva Horn offers a novel critique of the modern fascination with disaster, which she treats as a symptom of our relationship to the future. Analyzing the catastrophic imaginary from its cultural and historical roots in Romanticism and the figure of the Last Man, through the narratives of climatic cataclysm and the Cold War's apocalyptic sublime, to the contemporary popularity of disaster fiction and end-of-the-world blockbusters, Horn argues that apocalypse always haunts the modern idea of a future that can be anticipated and planned. Considering works by Lord Byron, J. G. Ballard, and Cormac McCarthy and films such as 12 Monkeys and Minority Report alongside scientific scenarios and political metaphors, she analyzes catastrophic thought experiments and the question of survival, the choices legitimized by imagined states of exception, and the contradictions inherent in preventative measures taken in the name of technical safety or political security. What makes today's obsession different from previous epochs' is the sense of a "catastrophe without event," a stealthily creeping process of disintegration. Ultimately, Horn argues, imagined catastrophes offer us intellectual tools that can render a future shadowed with apocalyptic possibilities affectively, epistemologically, and politically accessible.

Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1. LAST MEN -- 2. CATASTROPHE WITHOUT EVENT: IMAGINING CLIMATE DISASTER -- 3. SURVIVAL: THE BIOPOLITICS OF CATASTROPHE -- 4. THE FUTURE OF THINGS: ACCIDENTS AND TECHNICAL SAFETY -- 5. THE PARADOXES OF PREDICTION -- CONCLUSION -- NOTES -- BIBLIOGRAPHY -- INDEX

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http://purl.org/coar/access_right/c_16ec

Why do we have the constant feeling that disaster is looming? Beyond the images of atomic apocalypse that have haunted us for decades, we are dazzled now by an array of possible catastrophe scenarios: climate change, financial crises, environmental disasters, technological meltdowns-perennial subjects of literature, film, popular culture, and political debate. Is this preoccupation with catastrophe questionable alarmism or complacent passivity? Or are there certain truths that can be revealed only in apocalypse?In The Future as Catastrophe, Eva Horn offers a novel critique of the modern fascination with disaster, which she treats as a symptom of our relationship to the future. Analyzing the catastrophic imaginary from its cultural and historical roots in Romanticism and the figure of the Last Man, through the narratives of climatic cataclysm and the Cold War's apocalyptic sublime, to the contemporary popularity of disaster fiction and end-of-the-world blockbusters, Horn argues that apocalypse always haunts the modern idea of a future that can be anticipated and planned. Considering works by Lord Byron, J. G. Ballard, and Cormac McCarthy and films such as 12 Monkeys and Minority Report alongside scientific scenarios and political metaphors, she analyzes catastrophic thought experiments and the question of survival, the choices legitimized by imagined states of exception, and the contradictions inherent in preventative measures taken in the name of technical safety or political security. What makes today's obsession different from previous epochs' is the sense of a "catastrophe without event," a stealthily creeping process of disintegration. Ultimately, Horn argues, imagined catastrophes offer us intellectual tools that can render a future shadowed with apocalyptic possibilities affectively, epistemologically, and politically accessible.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022)