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The Cinema of Paolo Sorrentino : Commitment to Style / Russell Kilbourn.

By: Material type: TextTextSeries: Directors' CutsPublisher: New York, NY : Columbia University Press, [2020]Copyright date: ©2020Description: 1 online resource : 30 film stillsContent type:
Media type:
Carrier type:
ISBN:
  • 9780231189927
  • 9780231548625
Subject(s): DDC classification:
  • 791.4302/33092 23
LOC classification:
  • PN1998.3.S623 K55 2020
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- Acknowledgments -- Introduction: Commitment to Style -- 1 One Man Up (L’uomo in piú): The Consequences of Coincidence -- 2 The Consequences of Love (Le conseguenze dell’amore): This Must Be the (Non-) Place -- 3 The Family Friend (L’amico di famiglia): “Ridiculous Men and Beautiful Women” -- 4 “What Will They Remember About You?” Il Divo and the Possibility of a Twenty-First-Century Political Film -- 5 This Must Be the Place: From the Ridiculous to the Unspeakable (A Holocaust Road Movie) -- 6 The Great Beauty (La grande bellezza): Reflective Nostalgia and the Ironic Elegiac -- 7 Youth (La giovinezza): Between Horror and Desire (Life’s Last Day) -- 8 Ceci n’est pas un pape: Postsecular Melodrama in The Young Pope -- Coda: Toward a Post-Political Film: Loro and the Mediatic Elegiac -- Conclusion: Style as Commitment -- Notes -- Bibliography -- Index
Summary: Paolo Sorrentino, director of Il Divo (2008) and The Great Beauty (2013) and creator of the HBO series The Young Pope (2016), has emerged as one of the most compelling figures in twenty-first-century European film. From his earliest productions to his more recent transnational works, Sorrentino has paid homage to Italy’s cinematic past while telling stories of masculine characters whose sense of self seems to be on the brink of dissolution. Together with his usual collaborators (including cinematographer Luca Bigazzi and editor Cristiano Travagliolo) and actors (chief among them Toni Servillo), Sorrentino has produced an incisive depiction of the contemporary European condition by means of an often spectacular postclassical style that nevertheless continues postwar Italian film’s tradition of political commitment.This book is a critical examination of Sorrentino’s work, focusing on his emergence as a preeminent transnational auteur. Russell J. A. Kilbourn offers close readings of Sorrentino’s feature films and television output from One Man Up (2001) to The Young Pope (2016) and Loro (2018), featuring in-depth analyses of the director’s exuberant and intensified film style. Addressing the crucial themes of Sorrentino’s output—including a masculine subject defined by a melancholic awareness of its own imminent demise, and a critique of the conventional cinematic representation of women—Kilbourn illuminates Sorrentino’s ability to suffuse postmodern elegies for the humanist worldview with a sense of social awareness and responsibility. Kilbourn also foregrounds Sorrentino’s contributions to the ongoing transformations of cinematic realism and the Italian and European art cinema traditions more broadly. The first English-language study of the acclaimed director’s oeuvre, The Cinema of Paolo Sorrentino demonstrates why he is considered one of the most dynamic figures making films today.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780231548625

Frontmatter -- CONTENTS -- Acknowledgments -- Introduction: Commitment to Style -- 1 One Man Up (L’uomo in piú): The Consequences of Coincidence -- 2 The Consequences of Love (Le conseguenze dell’amore): This Must Be the (Non-) Place -- 3 The Family Friend (L’amico di famiglia): “Ridiculous Men and Beautiful Women” -- 4 “What Will They Remember About You?” Il Divo and the Possibility of a Twenty-First-Century Political Film -- 5 This Must Be the Place: From the Ridiculous to the Unspeakable (A Holocaust Road Movie) -- 6 The Great Beauty (La grande bellezza): Reflective Nostalgia and the Ironic Elegiac -- 7 Youth (La giovinezza): Between Horror and Desire (Life’s Last Day) -- 8 Ceci n’est pas un pape: Postsecular Melodrama in The Young Pope -- Coda: Toward a Post-Political Film: Loro and the Mediatic Elegiac -- Conclusion: Style as Commitment -- Notes -- Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Paolo Sorrentino, director of Il Divo (2008) and The Great Beauty (2013) and creator of the HBO series The Young Pope (2016), has emerged as one of the most compelling figures in twenty-first-century European film. From his earliest productions to his more recent transnational works, Sorrentino has paid homage to Italy’s cinematic past while telling stories of masculine characters whose sense of self seems to be on the brink of dissolution. Together with his usual collaborators (including cinematographer Luca Bigazzi and editor Cristiano Travagliolo) and actors (chief among them Toni Servillo), Sorrentino has produced an incisive depiction of the contemporary European condition by means of an often spectacular postclassical style that nevertheless continues postwar Italian film’s tradition of political commitment.This book is a critical examination of Sorrentino’s work, focusing on his emergence as a preeminent transnational auteur. Russell J. A. Kilbourn offers close readings of Sorrentino’s feature films and television output from One Man Up (2001) to The Young Pope (2016) and Loro (2018), featuring in-depth analyses of the director’s exuberant and intensified film style. Addressing the crucial themes of Sorrentino’s output—including a masculine subject defined by a melancholic awareness of its own imminent demise, and a critique of the conventional cinematic representation of women—Kilbourn illuminates Sorrentino’s ability to suffuse postmodern elegies for the humanist worldview with a sense of social awareness and responsibility. Kilbourn also foregrounds Sorrentino’s contributions to the ongoing transformations of cinematic realism and the Italian and European art cinema traditions more broadly. The first English-language study of the acclaimed director’s oeuvre, The Cinema of Paolo Sorrentino demonstrates why he is considered one of the most dynamic figures making films today.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)