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Kingly Crafts : The Archaeology of Craft Production in Late Shang China / Yung-ti Li.

By: Material type: TextTextSeries: Tang Center Series in Early ChinaPublisher: New York, NY : Columbia University Press, [2022]Copyright date: ©2019Description: 1 online resource : 100 b&w illustrationsContent type:
Media type:
Carrier type:
ISBN:
  • 9780231549639
Subject(s): DDC classification:
  • 931/.02 23/eng/20211013
LOC classification:
  • DS797.44.Y56 L54 2022
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- ILLUSTRATION -- ACKNOWLEDGMENTS -- Chapter One IDENTIFYING AND DEFINING THE ISSUES Craft Production, Elite Culture, and Urban Centers in Bronze Age China -- Chapter Two CRAFT PRODUCTION AT THE LAST SHANG CAPITAL -- Chapter Three A CRAFT OF CLAY AND METAL Section-mold Casting Technology and the Anyang Bronze Industry -- Chapter Four BONE TECHNOLOGY, PRODUCTION CONTEXTS, AND THE BONE WORKSHOPS -- Chapter Five LOCATING THE ROYAL WORKSHOP AND OTHER CRAFTS -- Chapter Six LONG LIVE THE KING Anyang and Its Legacy -- NOTES -- BIBLIOGRAPHY -- INDEX
Summary: The site of Anyang, the last capital of the Shang dynasty, dated to around 1200 to 1000 BCE, is one of the most important sources of knowledge about craft production in Bronze Age China. Excavations of the settlement demonstrate both the advanced level of Shang craft workers and the scale and capacity of the craft industries of the time. However, over the past ninety years, materials unearthed in Anyang by different expeditions have been stored separately in mainland China and Taiwan and rarely considered as a single group, making a thorough study of this important aspect of life in Shang China all but impossible. Through a systematic analysis of the archaeological materials available in both mainland China and Taiwan, Kingly Crafts provides a detailed picture of craft production in Anyang and paves the way for a new understanding of how the Shang capital functioned as a metropolis. Kingly Crafts focuses on the craft-producing activities represented archaeologically in Anyang, including bronze casting, bone working, shell and marble inlay working, lithic working, and pottery production, and reviews the material remains, the technology, aspects of operational sequence, and the production organization of the craft industries. While the level of Shang craftsmanship can be observed from an examination of the finished products, Yung-ti Li demonstrates that it is necessary to study workshop remains and their archaeological context to reconstruct the social and political contexts of craft production. By synthesizing and contextualizing the available examples of these remains excavated in Anyang, Kingly Crafts reveals the relationships between the craft industries and the political authority of the late Shang period.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780231549639

Frontmatter -- CONTENTS -- ILLUSTRATION -- ACKNOWLEDGMENTS -- Chapter One IDENTIFYING AND DEFINING THE ISSUES Craft Production, Elite Culture, and Urban Centers in Bronze Age China -- Chapter Two CRAFT PRODUCTION AT THE LAST SHANG CAPITAL -- Chapter Three A CRAFT OF CLAY AND METAL Section-mold Casting Technology and the Anyang Bronze Industry -- Chapter Four BONE TECHNOLOGY, PRODUCTION CONTEXTS, AND THE BONE WORKSHOPS -- Chapter Five LOCATING THE ROYAL WORKSHOP AND OTHER CRAFTS -- Chapter Six LONG LIVE THE KING Anyang and Its Legacy -- NOTES -- BIBLIOGRAPHY -- INDEX

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

The site of Anyang, the last capital of the Shang dynasty, dated to around 1200 to 1000 BCE, is one of the most important sources of knowledge about craft production in Bronze Age China. Excavations of the settlement demonstrate both the advanced level of Shang craft workers and the scale and capacity of the craft industries of the time. However, over the past ninety years, materials unearthed in Anyang by different expeditions have been stored separately in mainland China and Taiwan and rarely considered as a single group, making a thorough study of this important aspect of life in Shang China all but impossible. Through a systematic analysis of the archaeological materials available in both mainland China and Taiwan, Kingly Crafts provides a detailed picture of craft production in Anyang and paves the way for a new understanding of how the Shang capital functioned as a metropolis. Kingly Crafts focuses on the craft-producing activities represented archaeologically in Anyang, including bronze casting, bone working, shell and marble inlay working, lithic working, and pottery production, and reviews the material remains, the technology, aspects of operational sequence, and the production organization of the craft industries. While the level of Shang craftsmanship can be observed from an examination of the finished products, Yung-ti Li demonstrates that it is necessary to study workshop remains and their archaeological context to reconstruct the social and political contexts of craft production. By synthesizing and contextualizing the available examples of these remains excavated in Anyang, Kingly Crafts reveals the relationships between the craft industries and the political authority of the late Shang period.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)