The Cinema of Michael Mann : Vice and Vindication / Jonathan Rayner.
Material type:
TextSeries: Directors' CutsPublisher: New York, NY : Columbia University Press, [2013]Copyright date: ©2013Description: 1 online resource (240 p.) : 20Content type: - 9780231167291
- 9780231850490
- 791.430233092 23
- PN1998.3.M3645 R39 2013
- PN1998.3.M338835 R3 2015
- online - DeGruyter
- Issued also in print.
| Item type | Current library | Call number | URL | Status | Notes | Barcode | |
|---|---|---|---|---|---|---|---|
eBook
|
Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9780231850490 |
Frontmatter -- Contents -- Acknowledgements -- Introduction -- 1. Mann's Style: The Jericho Mile, L.A. Takedown, Miami Vice -- 2. Pursuing the Professional: Thief, Heat, Collateral -- 3. Endangering the Domestic: Manhunter, The Last of the Mohicans, The Insider -- 4. Adventures in Genre: The Keep, Ali, Public Enemies -- 5. Conclusion -- Filmography -- Bibliography -- Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
Michael Mann is one of the most important American filmmakers of the past forty years. His films exhibit the existential concerns of art cinema, articulated through a conspicuous and recognizable visual style and yet integrated within classical Hollywood narrative and genre frameworks. Since his beginnings as a screenwriter in the 1970s, Mann has become a key figure within contemporary American popular culture as writer, director, and producer for film and television. This volume offers a detailed study of Mann's feature films, from The Jericho Mile (1979) to Public Enemies (2009), with consideration also being given to parallels in the production, style, and characterization in his television work. It explores Mann's relationship with classical genres, his thematic concentration on issues of morality and masculinity, his film adaptations from literature, and the development and significance of his trademark visual style within modern American cinema.
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)

