The Cinema of Raúl Ruiz : Impossible Cartographies / Michael Goddard.
Material type:
TextSeries: Directors' CutsPublisher: New York, NY : Columbia University Press, [2013]Copyright date: ©2013Description: 1 online resource (224 p.) : 25Content type: - 9780231167314
- 9780231850506
- 791.430233092 23
- PN1998.3.R85 G63 2013
- PN1998.3.R85 G6 2015
- online - DeGruyter
- Issued also in print.
| Item type | Current library | Call number | URL | Status | Notes | Barcode | |
|---|---|---|---|---|---|---|---|
eBook
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Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9780231850506 |
Frontmatter -- Contents -- Acknowledgements -- Introduction: A New Cartographer? -- Chapter One. Ruiz'S Cinema In The 1960S And 1970S -- Chapter Two. The Cinema of Piracy, the Sea and Spectral Voyages: Ruiz'S Neo-Baroque Cinema of the 1980S -- Chapter Three. Cartographies of Complexity: Ruiz'S 'French' Cinema Since the Mid-1990S -- Conclusion. Ruizian Cartography from Chile to the Cosmos via the Littoral, or the Film to Come -- Appendix: Raúl Ruiz Interview (Paris, November, 2009) -- Select Filmography -- Bibliography -- Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
Raúl Ruiz, while considered one of the world's most significant filmmakers by several film critics, is yet to be the subject of any thorough engagement with his work in English. This volume sets out on this task by mapping, as fully as possible, Ruiz's cinematic trajectory across more than five decades of prolific work, up to his death in 2011; ranging from his earliest work in Chile to high-budget 'European' costume dramas culminating in Mysteries of Lisbon (2010). It does so by treating Ruiz's work-with its surrealist, magic realist, popular cultural, and neo-Baroque sources-as a type of 'impossible' cinematic cartography, mapping real, imaginary, and virtual spaces, and crossing between different cultural contexts, aesthetic strategies, and technical media. It argues that across the different phases of Ruiz's work identified, there are key continuities such as the invention of singular cinematic images and the interrogation of their possible and impossible combinations.
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)

