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The Habima–Israel’S National Theater 1917–1977. a Study of Cultural Nationalism / Emanuel Levy.

By: Material type: TextTextPublisher: New York, NY : Columbia University Press, [1979]Copyright date: ©1979Description: 1 online resource (346 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780231913645
  • 9780231883375
Subject(s): Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Tables -- Acknowledgments -- Introduction -- Part One. The Habima in Moscow: 1917–1926 -- 1. The Founding Group -- 2. Ideology and Repertoire: 1917–1926 -- 3. The Social Context: Jewish and Russian -- 4. The Social Structure of the Habima -- Part Two. The Habima in Transition: 1926–1931 -- 5. The Habima in Europe and the United States -- 6. The Search for a Permanent Home -- Part Three. The Habima in Palestine: 1931–1948 -- 7. Ideology and Repertoire: 1931–1948 -- 8. The Habima and the Jewish Community of Palestine -- 9. Organizational Structure: The Actors’ Collective -- 10. Organizational Structure: Artistic and Administrative Direction: 1931–1948 -- Part Four. The Habima in the State of Israel: 1949–1977 -- 11. Ideology and Repertoire: 1949–1968 -- 12. The Habima and Israeli Society -- 13. Organizational Structure: Artistic and Administrative Direction: 1949–1968 -- 14. The Search for an Artistic Identity: 1969–1977 -- Conclusion -- Appendixes -- Notes -- Selected Bibliography -- Index
Summary: Examines the political, ideological, and artistic roles of the Habima theater between its founding in Moscow in 1917 to the 1970s. It attempts to identify underlying patterns of change in the roles, structure, and functions of the Habima theater, with its major objective to describe the specific changes in its ideology, mission, repertoire, organization, and audiences between 1917 and 1977 and to analyze the causes and consequences of those changes.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780231883375

Frontmatter -- Contents -- Tables -- Acknowledgments -- Introduction -- Part One. The Habima in Moscow: 1917–1926 -- 1. The Founding Group -- 2. Ideology and Repertoire: 1917–1926 -- 3. The Social Context: Jewish and Russian -- 4. The Social Structure of the Habima -- Part Two. The Habima in Transition: 1926–1931 -- 5. The Habima in Europe and the United States -- 6. The Search for a Permanent Home -- Part Three. The Habima in Palestine: 1931–1948 -- 7. Ideology and Repertoire: 1931–1948 -- 8. The Habima and the Jewish Community of Palestine -- 9. Organizational Structure: The Actors’ Collective -- 10. Organizational Structure: Artistic and Administrative Direction: 1931–1948 -- Part Four. The Habima in the State of Israel: 1949–1977 -- 11. Ideology and Repertoire: 1949–1968 -- 12. The Habima and Israeli Society -- 13. Organizational Structure: Artistic and Administrative Direction: 1949–1968 -- 14. The Search for an Artistic Identity: 1969–1977 -- Conclusion -- Appendixes -- Notes -- Selected Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Examines the political, ideological, and artistic roles of the Habima theater between its founding in Moscow in 1917 to the 1970s. It attempts to identify underlying patterns of change in the roles, structure, and functions of the Habima theater, with its major objective to describe the specific changes in its ideology, mission, repertoire, organization, and audiences between 1917 and 1977 and to analyze the causes and consequences of those changes.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)