Poetics of Change : The New Spanish-American Narrative / Julio Ortega.
Material type:
TextSeries: Texas Pan American SeriesPublisher: Austin : University of Texas Press, [2021]Copyright date: ©1986Description: 1 online resource (200 p.)Content type: - 9780292754959
- 863
- online - DeGruyter
| Item type | Current library | Call number | URL | Status | Notes | Barcode | |
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eBook
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Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9780292754959 |
Frontmatter -- Contents -- Acknowledgments -- I. A Critical Model -- 1. The New Spanish-American Narrative -- 2. The First Letter -- 3. Borges and the Latin-American Text -- 4. Pedro Paramo -- 5. Hopscotch -- 6. Morelli on the Threshold -- 7. Reading Paradiso -- 8. One Hundred Years of Solitude -- 9. The Autumn of the Patriarch: Text and Culture -- II. The Site of the Text -- 11. Explosion in a Cathedral -- 12. A Change of Skin -- 13. Three Trapped Tigers -- 14. From Cuba with a Song -- 15. On the Text of History -- 16. A Book on Death -- Index of Names
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
Too often literary criticism is academic exercise rather than creative act. For the multifaceted Julio Ortega—respected poet, dramatist, and novelist in his own right—the act of criticism becomes profoundly creative, his incisive readings of the text far transcending the pedantry that may falsely pass for imagination, intelligence, and rigor. Nearly every Spanish-American writer of consequence, from Paz to Fuentes, Cortázar to Lezama Lima, has extolled Ortega’s criticism as not merely a reflection but an essential part of the renaissance that took place in Spanish-American letters during the late twentieth century. Poetics of Change brings together Ortega’s most penetrating and insightful analyses of the fiction of Borges, Fuentes, García Márquez, Carpentier, Rulfo, Cabrera Infante, and others responsible for great writing from Spanish America. Ortega concerns himself most with the semantic innovations of these masters of the modern narrative and their play with form, language, and the traditional boundaries of genre. Mapping their creative territory, he finds that the poetics of Spanish-American writing is that of a dynamically changing genre that has set exploration at its very heart.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)

