A History of Hispanic Theatre in the United States : Origins to 1940 / Nicolás Kanellos.
Material type:
TextPublisher: Austin : University of Texas Press, [2021]Copyright date: ©1990Description: 1 online resource (288 p.)Content type: - 9780292761551
- 792/.08968073 20
- online - DeGruyter
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Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9780292761551 |
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Frontmatter -- Contents -- Acknowledgments -- Introduction -- i. Origins -- 2. Los Angeles -- 3. San Antonio -- 4. New York City -- 5. Tampa -- 6. On the Road: Hispanic Theatre outside Its Major Centers -- 7. Conclusion -- Notes -- Glossary -- References -- Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
Hispanic theatre flourished in the United States from the mid-nineteenth century until the beginning of the Second World War—a fact that few theatre historians know. A History of Hispanic Theatre in the United States: Origins to 1940 is the very first study of this rich tradition, filled with details about plays, authors, artists, companies, houses, directors, and theatrical circuits. Sixteen years of research in public and private archives in the United States, Mexico, Spain, and Puerto Rico inform this study. In addition, Kanellos located former performers and playwrights, forgotten scripts, and old photographs to bring the life and vitality of live theatre to his text. He organizes the book around the cities where Hispanic theatre was particularly active, including Los Angeles, San Antonio, New York, and Tampa, as well as cities on the touring circuit, such as Laredo, El Paso, Tucson, and San Francisco. Kanellos charts the major achievements of Hispanic theatre in each city—playwriting in Los Angeles, vaudeville and tent theatre in San Antonio, Cuban/Spanish theatre in Tampa, and pan-Hispanism in New York—as well as the individual careers of several actors, writers, and directors. And he uncovers many gaps in the record—reminders that despite its popularity, Hispanic theatre was often undervalued and unrecorded.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)

