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Unruly Girls, Unrepentant Mothers : Redefining Feminism on Screen / Kathleen Rowe Karlyn.

By: Material type: TextTextPublisher: Austin : University of Texas Press, [2021]Copyright date: ©2010Description: 1 online resource (320 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780292784802
Subject(s): DDC classification:
  • 791.436522
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Acknowledgments -- Introduction: Bad Mothers, Angry Girls -- 1. Postfeminism and the Third Wave: Titanic -- 2. Trouble in Paradise: American Beauty and the Incest Motif -- 3. Girl World: Clueless, Mean Girls, and The Devil Wears Prada -- 4. Final Girls and Epic Fantasies: Remaking the World -- 5. How Reese Witherspoon Walks the Line -- 6. Teen-Girl Melodramas: My So-Called Life and Thirteen -- 7. Girls of Color: Beyond Girl World -- 8. The Motherline and a Wicked Powerful Feminism: Antonia’s Line -- Afterword -- Notes -- Works Cited -- Index
Summary: Since the 1990s, when Reviving Ophelia became a best seller and "Girl Power" a familiar anthem, girls have assumed new visibility in the culture. Yet in asserting their new power, young women have redefined femininity in ways that have often mystified their mothers. They have also largely disavowed feminism, even though their new influence is a likely legacy of feminism's Second Wave. At the same time, popular culture has persisted in idealizing, demonizing, or simply erasing mothers, rarely depicting them in strong and loving relationships with their daughters. Unruly Girls, Unrepentent Mothers, a companion to Kathleen Rowe Karlyn's groundbreaking work, The Unruly Woman, studies the ways popular culture and current debates within and about feminism inform each other. Surveying a range of films and television shows that have defined girls in the postfeminist era—from Titanic and My So-Called Life to Scream and The Devil Wears Prada, and from Love and Basketball to Ugly Betty—Karlyn explores the ways class, race, and generational conflicts have shaped both Girl Culture and feminism's Third Wave. Tying feminism's internal conflicts to negative attitudes toward mothers in the social world, she asks whether today's seemingly materialistic and apolitical girls, inspired by such real and fictional figures as the Spice Girls and Buffy the Vampire Slayer, have turned their backs on the feminism of their mothers or are redefining unruliness for a new age.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780292784802

Frontmatter -- Contents -- Acknowledgments -- Introduction: Bad Mothers, Angry Girls -- 1. Postfeminism and the Third Wave: Titanic -- 2. Trouble in Paradise: American Beauty and the Incest Motif -- 3. Girl World: Clueless, Mean Girls, and The Devil Wears Prada -- 4. Final Girls and Epic Fantasies: Remaking the World -- 5. How Reese Witherspoon Walks the Line -- 6. Teen-Girl Melodramas: My So-Called Life and Thirteen -- 7. Girls of Color: Beyond Girl World -- 8. The Motherline and a Wicked Powerful Feminism: Antonia’s Line -- Afterword -- Notes -- Works Cited -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Since the 1990s, when Reviving Ophelia became a best seller and "Girl Power" a familiar anthem, girls have assumed new visibility in the culture. Yet in asserting their new power, young women have redefined femininity in ways that have often mystified their mothers. They have also largely disavowed feminism, even though their new influence is a likely legacy of feminism's Second Wave. At the same time, popular culture has persisted in idealizing, demonizing, or simply erasing mothers, rarely depicting them in strong and loving relationships with their daughters. Unruly Girls, Unrepentent Mothers, a companion to Kathleen Rowe Karlyn's groundbreaking work, The Unruly Woman, studies the ways popular culture and current debates within and about feminism inform each other. Surveying a range of films and television shows that have defined girls in the postfeminist era—from Titanic and My So-Called Life to Scream and The Devil Wears Prada, and from Love and Basketball to Ugly Betty—Karlyn explores the ways class, race, and generational conflicts have shaped both Girl Culture and feminism's Third Wave. Tying feminism's internal conflicts to negative attitudes toward mothers in the social world, she asks whether today's seemingly materialistic and apolitical girls, inspired by such real and fictional figures as the Spice Girls and Buffy the Vampire Slayer, have turned their backs on the feminism of their mothers or are redefining unruliness for a new age.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)