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In Search of the Blues : A Journey to the Soul of Black Texas / Bill Minutaglio.

By: Contributor(s): Material type: TextTextPublisher: Austin : University of Texas Press, [2022]Copyright date: ©2010Description: 1 online resourceContent type:
Media type:
Carrier type:
ISBN:
  • 9780292792890
Subject(s): DDC classification:
  • 305.896/0730764 22
LOC classification:
  • E185.93.T4 M56 2010eb
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- FOREWORD MEDITATIONS ON MINUTAGLIO -- ACKNOWLEDGMENTS -- INTRODUCTION -- PART ONE THREE GENERATIONS -- HANGING TREE BLUES -- BLACK PANTHER BLUES -- TEXAS HARLEM BLUES -- PART TWO COMMUNITY -- CONGO STREET BLUES -- FREE MAN BLUES -- SAND BRANCH BLUES -- FIRE IN THE HOLE BLUES -- SOUTH DALLAS BLUES -- PART THREE THE MUSIC -- PHOTOCHEMICAL BLUES -- SEARCHIN’ BLUES -- LAST MAN BLUES -- LIGHTNIN’ BLUES -- CHICKEN SHACK BLUES -- FOURTH WARD BLUES -- ZYDECO BLUES -- CREDITS
Summary: The rich, complex lives of African Americans in Texas were often neglected by the mainstream media, which historically seldom ventured into Houston's Fourth Ward, San Antonio's East Side, South Dallas, or the black neighborhoods in smaller cities. When Bill Minutaglio began writing for Texas newspapers in the 1970s, few large publications had more than a token number of African American journalists, and they barely acknowledged the things of lasting importance to the African American community. Though hardly the most likely reporter—as a white, Italian American transplant from New York City—for the black Texas beat, Minutaglio was drawn to the African American heritage, seeking its soul in churches, on front porches, at juke joints, and anywhere else that people would allow him into their lives. His nationally award-winning writing offered many Americans their first deeper understanding of Texas's singular, complicated African American history. This eclectic collection gathers the best of Minutaglio's writing about the soul of black Texas. He profiles individuals both unknown and famous, including blues legends Lightnin' Hopkins, Amos Milburn, Robert Shaw, and Dr. Hepcat. He looks at neglected, even intentionally hidden, communities. And he wades into the musical undercurrent that touches on African Americans' joys, longings, and frustrations, and the passing of generations. Minutaglio's stories offer an understanding of the sweeping evolution of music, race, and justice in Texas. Moved forward by the musical heartbeat of the blues and defined by the long shadow of racism, the stories measure how far Texas has come . . . or still has to go.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780292792890

Frontmatter -- CONTENTS -- FOREWORD MEDITATIONS ON MINUTAGLIO -- ACKNOWLEDGMENTS -- INTRODUCTION -- PART ONE THREE GENERATIONS -- HANGING TREE BLUES -- BLACK PANTHER BLUES -- TEXAS HARLEM BLUES -- PART TWO COMMUNITY -- CONGO STREET BLUES -- FREE MAN BLUES -- SAND BRANCH BLUES -- FIRE IN THE HOLE BLUES -- SOUTH DALLAS BLUES -- PART THREE THE MUSIC -- PHOTOCHEMICAL BLUES -- SEARCHIN’ BLUES -- LAST MAN BLUES -- LIGHTNIN’ BLUES -- CHICKEN SHACK BLUES -- FOURTH WARD BLUES -- ZYDECO BLUES -- CREDITS

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

The rich, complex lives of African Americans in Texas were often neglected by the mainstream media, which historically seldom ventured into Houston's Fourth Ward, San Antonio's East Side, South Dallas, or the black neighborhoods in smaller cities. When Bill Minutaglio began writing for Texas newspapers in the 1970s, few large publications had more than a token number of African American journalists, and they barely acknowledged the things of lasting importance to the African American community. Though hardly the most likely reporter—as a white, Italian American transplant from New York City—for the black Texas beat, Minutaglio was drawn to the African American heritage, seeking its soul in churches, on front porches, at juke joints, and anywhere else that people would allow him into their lives. His nationally award-winning writing offered many Americans their first deeper understanding of Texas's singular, complicated African American history. This eclectic collection gathers the best of Minutaglio's writing about the soul of black Texas. He profiles individuals both unknown and famous, including blues legends Lightnin' Hopkins, Amos Milburn, Robert Shaw, and Dr. Hepcat. He looks at neglected, even intentionally hidden, communities. And he wades into the musical undercurrent that touches on African Americans' joys, longings, and frustrations, and the passing of generations. Minutaglio's stories offer an understanding of the sweeping evolution of music, race, and justice in Texas. Moved forward by the musical heartbeat of the blues and defined by the long shadow of racism, the stories measure how far Texas has come . . . or still has to go.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)