Library Catalog
Amazon cover image
Image from Amazon.com

Edna Ferber's Hollywood : American Fictions of Gender, Race, and History / J. E. Smyth.

By: Contributor(s): Material type: TextTextSeries: Texas Film and Media Studies SeriesPublisher: Austin : University of Texas Press, [2021]Copyright date: ©2009Description: 1 online resource (351 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780292793392
Subject(s): DDC classification:
  • 813/.52 22
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Foreword -- Acknowledgments -- CHAPTER ONE Edna Ferber’s America and the Fictions of History -- CHAPTER TWO The Life of an Unknown Woman: So Big, 1923–1953 -- CHAPTER THREE Making Believe: Show Boat, Race, and Romance, 1925–1957 -- CHAPTER FOUR Marking the Boundaries of Classical Hollywood’s Rise and Fall: Cimarron, 1928–1961 -- CHAPTER FIVE Writing for Hollywood: Come and Get It and Saratoga Trunk, 1933–1947 -- CHAPTER SIX Jim Crow, Jett Rink, and James Dean: Reconstructing Giant, 1952–1957 -- CHAPTER SEVEN The New Nationalism: Ice Palace, 1954–1960 -- Notes -- Selected Bibliography -- Index
Summary: Edna Ferber's Hollywood reveals one of the most influential artistic relationships of the twentieth century—the four-decade partnership between historical novelist Edna Ferber and the Hollywood studios. Ferber was one of America's most controversial popular historians, a writer whose uniquely feminist, multiracial view of the national past deliberately clashed with traditional narratives of white masculine power. Hollywood paid premium sums to adapt her novels, creating some of the most memorable films of the studio era—among them Show Boat, Cimarron, and Giant. Her historical fiction resonated with Hollywood's interest in prestigious historical filmmaking aimed principally, but not exclusively, at female audiences. In Edna Ferber's Hollywood, J. E. Smyth explores the research, writing, marketing, reception, and production histories of Hollywood's Ferber franchise. Smyth tracks Ferber's working relationships with Samuel Goldwyn, Leland Hayward, George Stevens, and James Dean; her landmark contract negotiations with Warner Bros.; and the controversies surrounding Giant's critique of Jim-Crow Texas. But Edna Ferber's Hollywood is also the study of the historical vision of an American outsider—a woman, a Jew, a novelist with few literary pretensions, an unashamed middlebrow who challenged the prescribed boundaries among gender, race, history, and fiction. In a masterful film and literary history, Smyth explores how Ferber's work helped shape Hollywood's attitude toward the American past.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780292793392

Frontmatter -- Contents -- Foreword -- Acknowledgments -- CHAPTER ONE Edna Ferber’s America and the Fictions of History -- CHAPTER TWO The Life of an Unknown Woman: So Big, 1923–1953 -- CHAPTER THREE Making Believe: Show Boat, Race, and Romance, 1925–1957 -- CHAPTER FOUR Marking the Boundaries of Classical Hollywood’s Rise and Fall: Cimarron, 1928–1961 -- CHAPTER FIVE Writing for Hollywood: Come and Get It and Saratoga Trunk, 1933–1947 -- CHAPTER SIX Jim Crow, Jett Rink, and James Dean: Reconstructing Giant, 1952–1957 -- CHAPTER SEVEN The New Nationalism: Ice Palace, 1954–1960 -- Notes -- Selected Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Edna Ferber's Hollywood reveals one of the most influential artistic relationships of the twentieth century—the four-decade partnership between historical novelist Edna Ferber and the Hollywood studios. Ferber was one of America's most controversial popular historians, a writer whose uniquely feminist, multiracial view of the national past deliberately clashed with traditional narratives of white masculine power. Hollywood paid premium sums to adapt her novels, creating some of the most memorable films of the studio era—among them Show Boat, Cimarron, and Giant. Her historical fiction resonated with Hollywood's interest in prestigious historical filmmaking aimed principally, but not exclusively, at female audiences. In Edna Ferber's Hollywood, J. E. Smyth explores the research, writing, marketing, reception, and production histories of Hollywood's Ferber franchise. Smyth tracks Ferber's working relationships with Samuel Goldwyn, Leland Hayward, George Stevens, and James Dean; her landmark contract negotiations with Warner Bros.; and the controversies surrounding Giant's critique of Jim-Crow Texas. But Edna Ferber's Hollywood is also the study of the historical vision of an American outsider—a woman, a Jew, a novelist with few literary pretensions, an unashamed middlebrow who challenged the prescribed boundaries among gender, race, history, and fiction. In a masterful film and literary history, Smyth explores how Ferber's work helped shape Hollywood's attitude toward the American past.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)