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Homeric Responses / Gregory Nagy.

By: Material type: TextTextPublisher: Austin : University of Texas Press, [2021]Copyright date: ©2003Description: 1 online resource (112 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780292796362
Subject(s): DDC classification:
  • 883/.01 21
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Abbreviations -- Acknowledgments -- Prologue -- Introduction. Four Questions -- Chapter 1. Homeric Responses -- Chapter 2. Homeric Rhapsodes and the Concept of Diachronic Skewing -- Chapter 3. Irreversible Mistakes and Homeric Clairvoyance -- Chapter 4. The Shield of Achilles: Ends of the Iliad and Beginnings of the Polis -- Bibliography -- Index
Summary: The Homeric Iliad and Odyssey are among the world's foremost epics. Yet, millennia after their composition, basic questions remain about them. Who was Homer—a real or an ideal poet? When were the poems composed—at a single point in time, or over centuries of composition and performance? And how were the poems committed to writing? These uncertainties have been known as The Homeric Question, and many scholars, including Gregory Nagy, have sought to solve it. In Homeric Responses, Nagy presents a series of essays that further elaborate his theories regarding the oral composition and evolution of the Homeric epics. Building on his previous work in Homeric Questions and Poetry as Performance: Homer and Beyond and responding to some of his critics, he examines such issues as the importance of performance and the interaction between audience and poet in shaping the poetry; the role of the rhapsode (the performer of the poems) in the composition and transmission of the poetry; the "irreversible mistakes" and cross-references in the Iliad and Odyssey as evidences of artistic creativity; and the Iliadic description of the shield of Achilles as a pointer to the world outside the poem, the polis of the audience.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780292796362

Frontmatter -- Contents -- Abbreviations -- Acknowledgments -- Prologue -- Introduction. Four Questions -- Chapter 1. Homeric Responses -- Chapter 2. Homeric Rhapsodes and the Concept of Diachronic Skewing -- Chapter 3. Irreversible Mistakes and Homeric Clairvoyance -- Chapter 4. The Shield of Achilles: Ends of the Iliad and Beginnings of the Polis -- Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

The Homeric Iliad and Odyssey are among the world's foremost epics. Yet, millennia after their composition, basic questions remain about them. Who was Homer—a real or an ideal poet? When were the poems composed—at a single point in time, or over centuries of composition and performance? And how were the poems committed to writing? These uncertainties have been known as The Homeric Question, and many scholars, including Gregory Nagy, have sought to solve it. In Homeric Responses, Nagy presents a series of essays that further elaborate his theories regarding the oral composition and evolution of the Homeric epics. Building on his previous work in Homeric Questions and Poetry as Performance: Homer and Beyond and responding to some of his critics, he examines such issues as the importance of performance and the interaction between audience and poet in shaping the poetry; the role of the rhapsode (the performer of the poems) in the composition and transmission of the poetry; the "irreversible mistakes" and cross-references in the Iliad and Odyssey as evidences of artistic creativity; and the Iliadic description of the shield of Achilles as a pointer to the world outside the poem, the polis of the audience.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)

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