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Satchmo Blows Up the World : Jazz Ambassadors Play the Cold War / Penny M. Von Eschen.

By: Material type: TextTextPublisher: Cambridge, MA : Harvard University Press, [2022]Copyright date: ©2006Description: 1 online resource (352 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780674044715
Subject(s): DDC classification:
  • 781.65092273
LOC classification:
  • ML3795 ǂb V63 2006eb
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Illustrations -- CHAPTER 1 Ike Gets Dizzy -- CHAPTER 2 Swinging into Action: Jazz to the Rescue -- CHAPTER 3 The Real Ambassador -- CHAPTER 4 Getting the Soviets to Swing -- CHAPTER 5 Duke's Diplomacy -- CHAPTER 6 Jazz, Gospel, and R&B Black Power Abroad -- CHAPTER 7 Improvising Détente -- CHAPTER 8 Playing the International Changes -- CHAPTER 9 Epilogue -- Notes -- Acknowledgments -- Index
Summary: At the height of the ideological antagonism of the Cold War, the U.S. State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism. Penny Von Eschen escorts us across the globe, backstage and onstage, as Dizzy Gillespie, Louis Armstrong, Duke Ellington, and other jazz luminaries spread their music and their ideas further than the State Department anticipated. Both in concert and after hours, through political statements and romantic liaisons, these musicians broke through the government's official narrative and gave their audiences an unprecedented vision of the black American experience. In the process, new collaborations developed between Americans and the formerly colonized peoples of Africa, Asia, and the Middle East--collaborations that fostered greater racial pride and solidarity. Though intended as a color-blind promotion of democracy, this unique Cold War strategy unintentionally demonstrated the essential role of African Americans in U.S. national culture. Through the tales of these tours, Von Eschen captures the fascinating interplay between the efforts of the State Department and the progressive agendas of the artists themselves, as all struggled to redefine a more inclusive and integrated American nation on the world stage.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780674044715

Frontmatter -- Contents -- Illustrations -- CHAPTER 1 Ike Gets Dizzy -- CHAPTER 2 Swinging into Action: Jazz to the Rescue -- CHAPTER 3 The Real Ambassador -- CHAPTER 4 Getting the Soviets to Swing -- CHAPTER 5 Duke's Diplomacy -- CHAPTER 6 Jazz, Gospel, and R&B Black Power Abroad -- CHAPTER 7 Improvising Détente -- CHAPTER 8 Playing the International Changes -- CHAPTER 9 Epilogue -- Notes -- Acknowledgments -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

At the height of the ideological antagonism of the Cold War, the U.S. State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism. Penny Von Eschen escorts us across the globe, backstage and onstage, as Dizzy Gillespie, Louis Armstrong, Duke Ellington, and other jazz luminaries spread their music and their ideas further than the State Department anticipated. Both in concert and after hours, through political statements and romantic liaisons, these musicians broke through the government's official narrative and gave their audiences an unprecedented vision of the black American experience. In the process, new collaborations developed between Americans and the formerly colonized peoples of Africa, Asia, and the Middle East--collaborations that fostered greater racial pride and solidarity. Though intended as a color-blind promotion of democracy, this unique Cold War strategy unintentionally demonstrated the essential role of African Americans in U.S. national culture. Through the tales of these tours, Von Eschen captures the fascinating interplay between the efforts of the State Department and the progressive agendas of the artists themselves, as all struggled to redefine a more inclusive and integrated American nation on the world stage.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022)