Jump Jim Crow : Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture / W. T. Lhamon Jr.
Material type:
TextPublisher: Cambridge, MA : Harvard University Press, [2003]Copyright date: 2003Description: 1 online resource (478 p.)Content type: - 9780674274815
- African Americans in literature
- African Americans -- Literary collections
- American literature -- 19th century
- Blackface entertainers -- History
- Blacks in literature
- Minstrel shows -- History
- Popular literature -- United States
- Race in literature
- Social classes in literature
- Social classes -- Literary collections
- LITERARY CRITICISM / American / African-American
- 810.8/0896073 21
- online - DeGruyter
| Item type | Current library | Call number | URL | Status | Notes | Barcode | |
|---|---|---|---|---|---|---|---|
eBook
|
Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9780674274815 |
Frontmatter -- Contents -- Preface: Slipping the Yoke -- llustrations -- INTRODUCTION An Extravagant and Wheeling Stranger -- SONGS -- PLAYS -- Street Prose -- Notes -- Acknowledgments -- Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
Beginning in the 1830s, the white actor Thomas D. Rice took to the stage as Jim Crow, and the ragged and charismatic trickster of black folklore entered--and forever transformed--American popular culture. Jump Jim Crow brings together for the first time the plays and songs performed in this guise and reveals how these texts code the complex use and abuse of blackness that has characterized American culture ever since Jim Crow's first appearance. Along with the prompt scripts of nine plays performed by Rice--never before published as their original audiences saw them--W. T. Lhamon Jr. provides a reconstruction of their performance history and a provocative analysis of their contemporary meaning. His reading shows us how these plays built a public blackness, but also how they engaged a disaffected white audience, who found in Jim Crow's sass and wit and madcap dancing an expression of rebellion and resistance against the oppression and confinement suffered by ordinary people of all colors in antebellum America and early Victorian England. Upstaging conventional stories and forms, giving direction and expression to the unruly attitudes of a burgeoning underclass, the plays in this anthology enact a vital force still felt in great fictions, movies, and musics of the Atlantic and in the jumping, speedy styles that join all these forms.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024)

