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An Accented Cinema : Exilic and Diasporic Filmmaking / Hamid Naficy.

By: Material type: TextTextPublisher: Princeton, NJ : Princeton University Press, [2018]Copyright date: ©2001Description: 1 online resourceContent type:
Media type:
Carrier type:
ISBN:
  • 9780691186214
Subject(s): DDC classification:
  • 791.43/09172/4 22
LOC classification:
  • PN1993.5.D44 N34 2001eb
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Acknowledgments -- List of Illustrations -- AN ACCENTED CINEMA -- Introduction -- 1. Situating Accented Cinema -- 2. Interstitial and Artisanal Mode of Production -- 3. Collective Mode of Production -- 4. Epistolarity and Epistolary Narratives -- 5. Chronotopes of Imagined Homeland -- 6. Chronotopes of Life in Exile: Claustrophobia, Contemporaneity -- 7. Journeying, Border Crossing, and Identity Crossing -- Appendix A -- Appendix B -- Notes -- Bibliography -- Index
Summary: In An Accented Cinema, Hamid Naficy offers an engaging overview of an important trend--the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of Naficy's work. Although the experience of expatriation varies greatly from one person to the next, the films themselves exhibit stylistic similarities, from their open- and closed-form aesthetics to their nostalgic and memory-driven multilingual narratives, and from their emphasis on political agency to their concern with identity and transgression of identity. The author explores such features while considering the specific histories of individuals and groups that engender divergent experiences, institutions, and modes of cultural production and consumption. Treating creativity as a social practice, he demonstrates that the films are in dialogue not only with the home and host societies but also with audiences, many of whom are also situated astride cultures and whose desires and fears the filmmakers wish to express. Comparing these films to Hollywood films, Naficy calls them "accented." Their accent results from the displacement of the filmmakers, their alternative production modes, and their style. Accented cinema is an emerging genre, one that requires new sets of viewing skills on the part of audiences. Its significance continues to grow in terms of output, stylistic variety, cultural diversity, and social impact. This book offers the first comprehensive and global coverage of this genre while presenting a framework in which to understand its intricacies.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780691186214

Frontmatter -- Contents -- Acknowledgments -- List of Illustrations -- AN ACCENTED CINEMA -- Introduction -- 1. Situating Accented Cinema -- 2. Interstitial and Artisanal Mode of Production -- 3. Collective Mode of Production -- 4. Epistolarity and Epistolary Narratives -- 5. Chronotopes of Imagined Homeland -- 6. Chronotopes of Life in Exile: Claustrophobia, Contemporaneity -- 7. Journeying, Border Crossing, and Identity Crossing -- Appendix A -- Appendix B -- Notes -- Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

In An Accented Cinema, Hamid Naficy offers an engaging overview of an important trend--the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of Naficy's work. Although the experience of expatriation varies greatly from one person to the next, the films themselves exhibit stylistic similarities, from their open- and closed-form aesthetics to their nostalgic and memory-driven multilingual narratives, and from their emphasis on political agency to their concern with identity and transgression of identity. The author explores such features while considering the specific histories of individuals and groups that engender divergent experiences, institutions, and modes of cultural production and consumption. Treating creativity as a social practice, he demonstrates that the films are in dialogue not only with the home and host societies but also with audiences, many of whom are also situated astride cultures and whose desires and fears the filmmakers wish to express. Comparing these films to Hollywood films, Naficy calls them "accented." Their accent results from the displacement of the filmmakers, their alternative production modes, and their style. Accented cinema is an emerging genre, one that requires new sets of viewing skills on the part of audiences. Its significance continues to grow in terms of output, stylistic variety, cultural diversity, and social impact. This book offers the first comprehensive and global coverage of this genre while presenting a framework in which to understand its intricacies.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)