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Quarter Notes and Bank Notes : The Economics of Music Composition in the Eighteenth and Nineteenth Centuries / F. M. Scherer.

By: Material type: TextTextSeries: The Princeton Economic History of the Western World ; 40Publisher: Princeton, NJ : Princeton University Press, [2018]Copyright date: ©2003Description: 1 online resourceContent type:
Media type:
Carrier type:
ISBN:
  • 9780691188096
Subject(s): DDC classification:
  • 331.7/617813/09033 21
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- FIGURES AND TABLES -- FOREWORD -- Chapter 1. INTRODUCTION -- Chapter 2. THE POLITICAL, SOCIAL, AND ECONOMIC MILIEU -- Chapter 3. MUSIC COMPOSITION AS A PROFESSION -- Chapter 4. COMPOSERS' BACKGROUNDS, ASPIRATIONS, AND ECONOMIC REWARDS -- Chapter 5. THE GEOGRAPHY OF COMPOSER SUPPLY AND DEMAND -- Chapter 6. CHANGES IN TRANSPORTATION AND COMPOSERS' MOBILITY -- Chapter 7. THE ECONOMICS OF MUSIC PUBLISHING -- Chapter 8. CONCLUSION -- Appendix to Chapter 1 A CURRENCY CONVERSION MATRIX -- Appendix to Chapter 4 CONSUMPTION OUTLAYS OF ROBERT AND CLARA SCHUMANN, 1841 -- NOTES -- REFERENCES -- INDEX
Summary: In 1700, most composers were employees of noble courts or the church. But by the nineteenth century, Chopin, Schumann, Brahms, Verdi, and many others functioned as freelance artists teaching, performing, and selling their compositions in the private marketplace. While some believe that Mozart's career marks a clean break between these two periods, this book tells the story of a more complex and interesting transition. F. M. Scherer first examines the political, intellectual, and economic roots of the shift from patronage to a freelance market. He describes the eighteenth-century cultural "arms race" among noble courts, the spread of private concert halls and opera houses, the increasing attendance of middle-class music lovers, and the founding of conservatories. He analyzes changing trends in how composers acquired their skills and earned their living, examining such impacts as demographic developments and new modes of transportation. The book offers insight into the diversity of composers' economic aspirations, the strategies through which they pursued success, the burgeoning music publishing industry, and the emergence of copyright protection. Scherer concludes by drawing some parallels to the economic state of music composition in our own times. Written by a leading economist with an unusually broad knowledge of music, this fascinating account is directed toward individuals intrigued by the world of classical composers as well as those interested in economic history or the role of money in art.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780691188096

Frontmatter -- CONTENTS -- FIGURES AND TABLES -- FOREWORD -- Chapter 1. INTRODUCTION -- Chapter 2. THE POLITICAL, SOCIAL, AND ECONOMIC MILIEU -- Chapter 3. MUSIC COMPOSITION AS A PROFESSION -- Chapter 4. COMPOSERS' BACKGROUNDS, ASPIRATIONS, AND ECONOMIC REWARDS -- Chapter 5. THE GEOGRAPHY OF COMPOSER SUPPLY AND DEMAND -- Chapter 6. CHANGES IN TRANSPORTATION AND COMPOSERS' MOBILITY -- Chapter 7. THE ECONOMICS OF MUSIC PUBLISHING -- Chapter 8. CONCLUSION -- Appendix to Chapter 1 A CURRENCY CONVERSION MATRIX -- Appendix to Chapter 4 CONSUMPTION OUTLAYS OF ROBERT AND CLARA SCHUMANN, 1841 -- NOTES -- REFERENCES -- INDEX

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

In 1700, most composers were employees of noble courts or the church. But by the nineteenth century, Chopin, Schumann, Brahms, Verdi, and many others functioned as freelance artists teaching, performing, and selling their compositions in the private marketplace. While some believe that Mozart's career marks a clean break between these two periods, this book tells the story of a more complex and interesting transition. F. M. Scherer first examines the political, intellectual, and economic roots of the shift from patronage to a freelance market. He describes the eighteenth-century cultural "arms race" among noble courts, the spread of private concert halls and opera houses, the increasing attendance of middle-class music lovers, and the founding of conservatories. He analyzes changing trends in how composers acquired their skills and earned their living, examining such impacts as demographic developments and new modes of transportation. The book offers insight into the diversity of composers' economic aspirations, the strategies through which they pursued success, the burgeoning music publishing industry, and the emergence of copyright protection. Scherer concludes by drawing some parallels to the economic state of music composition in our own times. Written by a leading economist with an unusually broad knowledge of music, this fascinating account is directed toward individuals intrigued by the world of classical composers as well as those interested in economic history or the role of money in art.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)