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Sound and Symbol, Volume 1 : Music and the External World / Victor Zuckerkandl.

By: Contributor(s): Material type: TextTextSeries: Bollingen Series (General) ; 655Publisher: Princeton, NJ : Princeton University Press, [2021]Copyright date: ©1956Description: 1 online resource (407 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780691218366
Subject(s): DDC classification:
  • 780.1 23
LOC classification:
  • ML3800.Z83 S68 1956eb
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- Forewor -- TONE -- I. The Dynamic Quality of Tone -- II. The Pulse Theory -- III. The System of Tones -- IV. Associationism -- V. The Three Components of Sense Perception -- MOTION -- Prefatory Note -- VII. The Paradox of Tonal Motion -- VIII. The True Motion of Tones -- IX. The Continuity of Tonal Motion -- X. The "Third Stage -- TIME -- XI. Meter and Rhythm -- XII. The Musical Concept of Time -- XIII. Tone as the Image of Time -- SPACE -- XIV. The "Nonspatial" Art -- XV. Is Space Audible? -- XVI. The Placeless, Flowing Space of Tones -- XVII. The Order of Auditory Space -- XVIII. Space as Place and Space as Force -- XIX. A Last Word on High and Low in Tones -- XX. Summary and Prospect -- List of Works Cited -- Index
Summary: An approach to music as an instrument of philosophical inquiry, seeking not so much a philosophy of music as a philosophy through music.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780691218366

Frontmatter -- CONTENTS -- Forewor -- TONE -- I. The Dynamic Quality of Tone -- II. The Pulse Theory -- III. The System of Tones -- IV. Associationism -- V. The Three Components of Sense Perception -- MOTION -- Prefatory Note -- VII. The Paradox of Tonal Motion -- VIII. The True Motion of Tones -- IX. The Continuity of Tonal Motion -- X. The "Third Stage -- TIME -- XI. Meter and Rhythm -- XII. The Musical Concept of Time -- XIII. Tone as the Image of Time -- SPACE -- XIV. The "Nonspatial" Art -- XV. Is Space Audible? -- XVI. The Placeless, Flowing Space of Tones -- XVII. The Order of Auditory Space -- XVIII. Space as Place and Space as Force -- XIX. A Last Word on High and Low in Tones -- XX. Summary and Prospect -- List of Works Cited -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

An approach to music as an instrument of philosophical inquiry, seeking not so much a philosophy of music as a philosophy through music.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)