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Roman Eyes : Visuality and Subjectivity in Art and Text / Jaś Elsner.

By: Material type: TextTextPublisher: Princeton, NJ : Princeton University Press, [2021]Copyright date: ©2007Description: 1 online resource (376 p.) : 16 color plates. 88 halftonesContent type:
Media type:
Carrier type:
ISBN:
  • 9780691240244
Subject(s): DDC classification:
  • 700.937 22
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- Acknowledgments -- Prologue -- 1 Between Mimesis and Divine Power Visuality in the Greco-Roman World -- Part 1 Ancient Discourses of Art -- 2. Image and Ritual Pausanias and the Sacred Culture of Greek Art -- 3. Discourses of Style Connoisseurship in Pausanias and Lucian -- 4. Ekphrasis and the Gaze From Roman Poetry to Domestic Wall Painting -- Part 2 Ways of Viewing -- 5. Viewing and Creativity Ovid’s Pygmalion as Viewer -- 6. Viewer as Image Intimations of Narcissus -- 7. Viewing and Decadence Petronius’ Picture Gallery -- 8. Genders of Viewing Visualizing Woman in the Casket of Projecta -- 9. Viewing the Gods The Origins of the Icon in the Visual Culture of the Roman East -- 10. Viewing and Resistance Art and Religion in Dura Europos -- Epilogue From Diana via Venus to Isis Viewing the Deity with Apuleius -- Bibliography -- Index Locorum -- General Index
Summary: In Roman Eyes, Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire. Elsner draws upon a wide variety of visual material, from sculpture and wall paintings to coins and terra-cotta statuettes. He examines the different contexts in which images were used, from the religious to the voyeuristic, from the domestic to the subversive. He reads images alongside and against the rich literary tradition of the Greco-Roman world, including travel writing, prose fiction, satire, poetry, mythology, and pilgrimage accounts. The astonishing picture that emerges reveals the mindsets Romans had when they viewed art--their preoccupations and theories, their cultural biases and loosely held beliefs. Roman Eyes is not a history of official public art--the monumental sculptures, arches, and buildings we typically associate with ancient Rome, and that tend to dominate the field. Rather, Elsner looks at smaller objects used or displayed in private settings and closed religious rituals, including tapestries, ivories, altars, jewelry, and even silverware. In many cases, he focuses on works of art that no longer exist, providing a rare window into the aesthetic and religious lives of the ancient Romans.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780691240244

Frontmatter -- CONTENTS -- Acknowledgments -- Prologue -- 1 Between Mimesis and Divine Power Visuality in the Greco-Roman World -- Part 1 Ancient Discourses of Art -- 2. Image and Ritual Pausanias and the Sacred Culture of Greek Art -- 3. Discourses of Style Connoisseurship in Pausanias and Lucian -- 4. Ekphrasis and the Gaze From Roman Poetry to Domestic Wall Painting -- Part 2 Ways of Viewing -- 5. Viewing and Creativity Ovid’s Pygmalion as Viewer -- 6. Viewer as Image Intimations of Narcissus -- 7. Viewing and Decadence Petronius’ Picture Gallery -- 8. Genders of Viewing Visualizing Woman in the Casket of Projecta -- 9. Viewing the Gods The Origins of the Icon in the Visual Culture of the Roman East -- 10. Viewing and Resistance Art and Religion in Dura Europos -- Epilogue From Diana via Venus to Isis Viewing the Deity with Apuleius -- Bibliography -- Index Locorum -- General Index

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http://purl.org/coar/access_right/c_16ec

In Roman Eyes, Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire. Elsner draws upon a wide variety of visual material, from sculpture and wall paintings to coins and terra-cotta statuettes. He examines the different contexts in which images were used, from the religious to the voyeuristic, from the domestic to the subversive. He reads images alongside and against the rich literary tradition of the Greco-Roman world, including travel writing, prose fiction, satire, poetry, mythology, and pilgrimage accounts. The astonishing picture that emerges reveals the mindsets Romans had when they viewed art--their preoccupations and theories, their cultural biases and loosely held beliefs. Roman Eyes is not a history of official public art--the monumental sculptures, arches, and buildings we typically associate with ancient Rome, and that tend to dominate the field. Rather, Elsner looks at smaller objects used or displayed in private settings and closed religious rituals, including tapestries, ivories, altars, jewelry, and even silverware. In many cases, he focuses on works of art that no longer exist, providing a rare window into the aesthetic and religious lives of the ancient Romans.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)