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Visuality and Virtuality : Images and Pictures from Prehistory to Perspective / Whitney Davis.

By: Material type: TextTextPublisher: Princeton, NJ : Princeton University Press, [2022]Copyright date: ©2018Description: 1 online resource (368 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780691245904
Subject(s): DDC classification:
  • 701/.18 23
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- PREFACE -- A NOTE ON NOTATIONS AND ABBREVIATIONS -- INTRODUCTION Images and Pictures -- PART ONE Analytics of Imaging Pictures in Visual Space -- CHAPTER ONE Visuality and Virtuality: Analytics of Visual Space and Pictorial Space -- CHAPTER TWO Radical Pictoriality: Seeing-As, Seeing-As-As, Seeing-As-As-As… -- CHAPTER THREE What the Chauvet Master Saw: On the Presence of Prehistoric Pictoriality -- PART TWO Bivisibility, Bivirtuality, and Birotationality -- CHAPTER FOUR Bivisibility: Between the Successions to Visuality -- CHAPTER FIVE Bivirtuality: Pictorial Naturalism and the Revolutions of Rotation -- CHAPTER SIX Birotationality: Frontality, Foreshortening, and Virtual Pictorial Space -- PART THREE Pictorial Successions of Virtual Coordinate Space -- CHAPTER SEVEN What Hesire Saw: Virtual Coordinate Space in Ancient Egyptian Depiction -- CHAPTER EIGHT What Phidias Saw: Virtual Coordinate Space in Classical Greek Architectural Relief -- CHAPTER NINE What Brunelleschi Saw: Virtual Coordinate Space and Painter’s Perspective -- NOTES -- INDEX -- ILLUSTRATION CREDITS
Summary: A provocative and challenging new conceptual framework for the study of imagesThis book builds on the groundbreaking theoretical framework established in Whitney Davis’s acclaimed previous book, A General Theory of Visual Culture, in which he shows how certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. Here, Davis uses revealing archaeological and historical case studies to further develop his theory, presenting an exacting new account of the interaction that occurs when a viewer looks at a picture.Davis argues that pictoriality—the depiction intended by its maker to be seen—emerges at a particular standpoint in space and time. Reconstruction of this standpoint is the first step of the art historian’s craft. Because standpoints are inherently mutable and mobile, pictoriality constantly shifts in form and possible meaning. To capture this complexity, Davis develops new concepts of radical pictorial ambiguity, including “bivisibility” (the fact that pictures can always be seen in ways other than intended), pictorial naturalism, and the behavior of pictures under changing angles of view. He then applies these concepts to four cases—Paleolithic cave painting; ancient Egyptian tomb decoration; classical Greek architectural sculpture, with a focus on the Parthenon frieze; and Renaissance perspective as invented by Brunelleschi.A profound new theory of the work of both makers and viewers by one of the discipline’s most esteemed and engaged thinkers, Visuality and Virtuality is essential reading for art historians, architects, archaeologists, and philosophers of art and visual theory.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780691245904

Frontmatter -- CONTENTS -- PREFACE -- A NOTE ON NOTATIONS AND ABBREVIATIONS -- INTRODUCTION Images and Pictures -- PART ONE Analytics of Imaging Pictures in Visual Space -- CHAPTER ONE Visuality and Virtuality: Analytics of Visual Space and Pictorial Space -- CHAPTER TWO Radical Pictoriality: Seeing-As, Seeing-As-As, Seeing-As-As-As… -- CHAPTER THREE What the Chauvet Master Saw: On the Presence of Prehistoric Pictoriality -- PART TWO Bivisibility, Bivirtuality, and Birotationality -- CHAPTER FOUR Bivisibility: Between the Successions to Visuality -- CHAPTER FIVE Bivirtuality: Pictorial Naturalism and the Revolutions of Rotation -- CHAPTER SIX Birotationality: Frontality, Foreshortening, and Virtual Pictorial Space -- PART THREE Pictorial Successions of Virtual Coordinate Space -- CHAPTER SEVEN What Hesire Saw: Virtual Coordinate Space in Ancient Egyptian Depiction -- CHAPTER EIGHT What Phidias Saw: Virtual Coordinate Space in Classical Greek Architectural Relief -- CHAPTER NINE What Brunelleschi Saw: Virtual Coordinate Space and Painter’s Perspective -- NOTES -- INDEX -- ILLUSTRATION CREDITS

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

A provocative and challenging new conceptual framework for the study of imagesThis book builds on the groundbreaking theoretical framework established in Whitney Davis’s acclaimed previous book, A General Theory of Visual Culture, in which he shows how certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. Here, Davis uses revealing archaeological and historical case studies to further develop his theory, presenting an exacting new account of the interaction that occurs when a viewer looks at a picture.Davis argues that pictoriality—the depiction intended by its maker to be seen—emerges at a particular standpoint in space and time. Reconstruction of this standpoint is the first step of the art historian’s craft. Because standpoints are inherently mutable and mobile, pictoriality constantly shifts in form and possible meaning. To capture this complexity, Davis develops new concepts of radical pictorial ambiguity, including “bivisibility” (the fact that pictures can always be seen in ways other than intended), pictorial naturalism, and the behavior of pictures under changing angles of view. He then applies these concepts to four cases—Paleolithic cave painting; ancient Egyptian tomb decoration; classical Greek architectural sculpture, with a focus on the Parthenon frieze; and Renaissance perspective as invented by Brunelleschi.A profound new theory of the work of both makers and viewers by one of the discipline’s most esteemed and engaged thinkers, Visuality and Virtuality is essential reading for art historians, architects, archaeologists, and philosophers of art and visual theory.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)