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Modernism and Magic : Experiments with Spiritualism, Theosophy and the Occult / Leigh Wilson.

By: Material type: TextTextSeries: Edinburgh Critical Studies in Modernist Culture : ECCSMCPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2012Description: 1 online resource (256 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780748627691
  • 9780748631650
Subject(s): DDC classification:
  • 809.9337 23
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- SERIES EDITORS’ PREFACE -- ACKNOWLEDGEMENTS -- INTRODUCTION -- 1 ‘BUT THE FACTS OF LIFE PERSIST’: MAGIC, EXPERIMENT AND THE PROBLEM OF REPRESENTING THE WORLD OTHERWISE -- 2 ‘AND WHAT HAS ALL THIS TO DO WITH EXPERIMENTAL WRITING?’: WORDS AND GHOSTS -- 3 A ‘SUBTLE METAMORPHOSIS’: SOUND, MIMESIS AND TRANSFORMATION -- 4 ‘HERE IS WHERE THE MAGIC IS’: TELEPATHY AND EXPERIMENT IN FILM -- 5 ‘DISNEY AGAINST THE METAPHYSICALS’: EISENSTEIN, POUND, ECTOPLASM AND THE POLITICS OF ANIMATION -- BIBLIOGRAPHY -- INDEX
Summary: Explores the interplay between modernist experiment and occult discourses in the early twentieth centuryThis study presents a new account of the relation between modernism and occult discourses. While modernism’s engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as an attempt to draw on a hidden history of ideas, Leigh Wilson argues that these discourses have at their heart a magical practice which remakes the relationship between world and representation. As Wilson demonstrates, the courses of the occult are based on a magical mimesis which transforms the nature of the copy, from inert to vital, from dead to alive, from static to animated, from powerless to powerful.Wilson explores the aesthetic and political implications of this relationship in the work of those writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein.
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Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780748631650

Frontmatter -- CONTENTS -- SERIES EDITORS’ PREFACE -- ACKNOWLEDGEMENTS -- INTRODUCTION -- 1 ‘BUT THE FACTS OF LIFE PERSIST’: MAGIC, EXPERIMENT AND THE PROBLEM OF REPRESENTING THE WORLD OTHERWISE -- 2 ‘AND WHAT HAS ALL THIS TO DO WITH EXPERIMENTAL WRITING?’: WORDS AND GHOSTS -- 3 A ‘SUBTLE METAMORPHOSIS’: SOUND, MIMESIS AND TRANSFORMATION -- 4 ‘HERE IS WHERE THE MAGIC IS’: TELEPATHY AND EXPERIMENT IN FILM -- 5 ‘DISNEY AGAINST THE METAPHYSICALS’: EISENSTEIN, POUND, ECTOPLASM AND THE POLITICS OF ANIMATION -- BIBLIOGRAPHY -- INDEX

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Explores the interplay between modernist experiment and occult discourses in the early twentieth centuryThis study presents a new account of the relation between modernism and occult discourses. While modernism’s engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as an attempt to draw on a hidden history of ideas, Leigh Wilson argues that these discourses have at their heart a magical practice which remakes the relationship between world and representation. As Wilson demonstrates, the courses of the occult are based on a magical mimesis which transforms the nature of the copy, from inert to vital, from dead to alive, from static to animated, from powerless to powerful.Wilson explores the aesthetic and political implications of this relationship in the work of those writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)