Deleuze, Altered States and Film / Anna Powell.
Material type: TextPublisher: Edinburgh :  Edinburgh University Press,  [2022]Copyright date: ©2007Description: 1 online resource (224 p.)Content type:
TextPublisher: Edinburgh :  Edinburgh University Press,  [2022]Copyright date: ©2007Description: 1 online resource (224 p.)Content type: - 9780748632824
- 9780748632404
- online - DeGruyter
| Item type | Current library | Call number | URL | Status | Notes | Barcode | |
|---|---|---|---|---|---|---|---|
|  eBook | Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9780748632404 | 
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Frontmatter -- Contents -- Acknowledgements -- Introduction: Altered States, Affect and Film -- 1 The Dream Machine -- 2 Pharmacoanalysis -- 3 Altered Body Maps and the Cinematic Sensorium -- 4 Altered States of Time -- Conclusion: Becoming-Fractal -- Bibliography -- Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
Deleuze, Altered States and Film offers a typology of altered states, defining dream, hallucination, memory, trance and ecstasy in their cinematic expression. The book presents altered states films as significant neurological, psychological and philosophical experiences. Chapters engage with films that simultaneously present and induce altered consciousness. They consider dream states and the popularisation of alterity in drugs films. The altered bodies of erotic arousal and trance states are explored, using haptics and synaesthesia. Cinematic distortions of space and time as well as new digital and fractal directions are opened up. Anna Powell’s distinctive re-mapping of the film experience as altered state uses a Deleuzian approach to explore how cinema alters us by ‘affective contamination’. Arguing that specific cinematic techniques derange the senses and the mind, she makes an assemblage of philosophy and art, counter-cultural writers and filmmakers to provide insights into the cinematic event as intoxication. The book applies Deleuze, alone and with Guattari, to mainstream films like Donnie Darko as well as arthouse and experimental cinema. Offering innovative readings of ‘classic’ altered states movies such as 2001, Performance and Easy Rider, it includes ‘avant-garde’ and ‘underground’ work. Powell asserts the Deleuzian approach as itself a kind of altered state that explodes habitual ways of thinking and feeling.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)


