Death-Drive : Freudian Hauntings in Literature and Art / Robert Rowland Smith.
Material type:
TextSeries: The Frontiers of Theory : FRTHPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2010Description: 1 online resource (256 p.) : 3 B/W illustrationsContent type: - 9780748640393
- 9780748641710
- online - DeGruyter
| Item type | Current library | Call number | URL | Status | Notes | Barcode | |
|---|---|---|---|---|---|---|---|
eBook
|
Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9780748641710 |
Browsing Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino shelves, Shelving location: Nuvola online Close shelf browser (Hides shelf browser)
|
|
|
|
|
|
|
||
| online - DeGruyter Contemporary Political Movements and the Thought of Jacques Rancière : Equality in Action / | online - DeGruyter Cultural Studies and the Study of Popular Culture / | online - DeGruyter Culture and Power in Cultural Studies : The Politics of Signification / | online - DeGruyter Death-Drive : Freudian Hauntings in Literature and Art / | online - DeGruyter Deleuzian Fabulation and the Scars of History / | online - DeGruyter Democracy, Law and the Modernist Avant-Gardes : Writing in the State of Exception / | online - DeGruyter Development Models in Muslim Contexts : Chinese, 'Islamic' and Neo-liberal Alternatives / |
Frontmatter -- Contents -- List of Illustrations -- Acknowledgements -- Note on the Text -- Series Editor’s Preface -- Author’s Preface -- Introduction -- 1. Memento Mori -- 2. The Death-Drive Does Not Think -- 3. A Subject Is Being Beaten -- 4. White Over Red -- 5. Literature – Repeat Nothing -- 6. A Harmless Suggestion -- 7. The Rest of Radioactive Light -- Postscript: Approaching Death -- Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
Robert Rowland Smith takes Freud's work on the death-drive and compares it with other philosophies of death - Pascal, Heidegger and Derrida in particular. He also applies it in a new way to literature and art - to Shakespeare, Rothko and Katharina Fritsch, among others. He asks whether artworks are dead or alive, if artistic creativity isn't actually a form of destruction, and whether our ability to be seduced by fine words means we don't put our selves at risk of death.In doing so, he proposes a new theory of aesthetics in which artworks and literary texts have a death-drive of their own, not least by their defining ability to turn away from all that is real, and where the effects of the death-drive mean that we are constantly living in imaginary, rhetorical or 'artistic' worlds. The book also provides a valuable introduction to the rich tradition of work on the death-drive since Freud.Key FeaturesIncludes a general introduction to the death-drivePresents an original theory of aestheticsAnalyses both theoretical and clinical psychoanalysisOffers in-depth treatment of FreudProvides an overview of philosophies of death
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)

