Digital Imaging in Popular Cinema / Lisa Purse.
Material type:
TextPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2013Description: 1 online resource (208 p.) : 15 B/W illustrationsContent type: - 9780748646906
- 9780748646913
- online - DeGruyter
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eBook
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Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9780748646913 |
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| online - DeGruyter The Almoravid and Almohad Empires / | online - DeGruyter The Virilio Dictionary / | online - DeGruyter Whatever Happened to Tory Scotland? / | online - DeGruyter Digital Imaging in Popular Cinema / | online - DeGruyter Muslim Political Participation in Europe / | online - DeGruyter 9/11 and the Literature of Terror / | online - DeGruyter The Agamben Dictionary / |
Frontmatter -- Contents -- Illustrations -- Acknowledgements -- Introduction -- 1 Interpretation and the Digital -- 2 Digital Imaging as Metaphor -- 3 Digital Imaging and the Body -- 4 Historicising the Digital -- 5 Representation and the Digital -- 6 The Digital in Three Dimensions -- Conclusion -- Bibliography -- Filmography -- Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
A Choice Outstanding Academic Title for 2013To what extent has cinema been transformed by the advent of digital imaging? Have digital solutions to production challenges begun to change our experience of films, and their characters, action and narratives? And what impact does the inclusion of digital imaging in the film frame have on our interpretation and analysis of film texts?Digital Imaging in Popular Cinema explores these issues through analysis of specific film moments and extended case studies of films including Minority Report, King Kong, 300 and Hugo. It discusses how digital imaging can mimic, transform, shape and generate both fantastical and mundane objects and phenomena from scratch, and what the implications are for how we ‘read’ films, and explores how cultural ideas about digital imaging can influence meaning within a film, a scene or even a single shot.The increasingly widespread use of digital imaging in cinema means that we can no longer afford to ignore it when critically analysing and interpreting film texts. This innovative and engaging book provides a blueprint for approaching digital imaging in contemporary film, and is therefore essential reading for all those working in the field of Film Studies.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)

