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Moving Images : Nineteenth-Century Reading and Screen Practices / Helen Groth.

By: Material type: TextTextSeries: Edinburgh Critical Studies in Victorian Culture : ECSVCPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2013Description: 1 online resource (224 p.) : 11 B/W illustrationsContent type:
Media type:
Carrier type:
ISBN:
  • 9780748669486
  • 9780748669493
Subject(s): DDC classification:
  • 820.9/008 23
LOC classification:
  • PR8752 .G76 2013
  • PR8752
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- List of Illustrations -- Series Editor's Preface -- Acknowledgements -- Introduction: Moving Images: Nineteenth-Century Reading and Screen Practices -- 1. Moving Books in Regency London -- 2. Byronic Networks: Circulating Images in Minds and Media -- 3. Natural Magic and the Technologies of Reading: David Brewster and Sir Walter Scott -- 4. Reading Habits and Magic Lanterns: Dickens and Dr Pepper's Ghost -- 5. Dissolving Views: Dreams of Reading Alice -- 6. Flickering Effects: George Robert Sims and the Psychology of the Moving Image -- 7. Literary Projections and Residual Media: Cecil Hepworth and Robert Paul -- Bibliography -- Index
Summary: Examines the moving image in relation to nineteenth-century literature, theories of mind, and visual mediaGBS_insertPreviewButtonPopup(['ISBN:9780748669486','ISBN:9780748669493']);This book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the mind. Reading between these parallel histories of mind and media reveals a dynamic conceptual, aesthetic and technological engagement with the moving image that, in turn, produces a new understanding of the production and circulation of the work of key nineteenth-century writers, such as Lord Byron, Walter Scott, Lewis Carroll, Charles Dickens and William Makepeace Thackeray. As Helen Groth shows, this engagement is both typical of the nineteenth-century in its preoccupation with questions of automatism and volition (unconscious and conscious thought), spirit and materiality, art and machine, but also definitively modern in its secular articulation of the instructive and entertaining applications of making images move both inside and outside the mind.Key FeaturesConsiders the impact of the dramatic transformations in print and visual culture on our understanding of the production, circulation and mediation of works by Byron, Scott, Thackeray, Carroll, Dickens, Mayhew and James, as well as lesser-known writers such as Ann and Jane Taylor, Pierce Egan, Countess Blessington, and George SimsProvides a new perspective on the conventional opposition of the early cinema of attractions to the immersive absorption of both nineteenth-century literary formations and later classical narrative cinema"
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780748669493

Frontmatter -- Contents -- List of Illustrations -- Series Editor's Preface -- Acknowledgements -- Introduction: Moving Images: Nineteenth-Century Reading and Screen Practices -- 1. Moving Books in Regency London -- 2. Byronic Networks: Circulating Images in Minds and Media -- 3. Natural Magic and the Technologies of Reading: David Brewster and Sir Walter Scott -- 4. Reading Habits and Magic Lanterns: Dickens and Dr Pepper's Ghost -- 5. Dissolving Views: Dreams of Reading Alice -- 6. Flickering Effects: George Robert Sims and the Psychology of the Moving Image -- 7. Literary Projections and Residual Media: Cecil Hepworth and Robert Paul -- Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Examines the moving image in relation to nineteenth-century literature, theories of mind, and visual mediaGBS_insertPreviewButtonPopup(['ISBN:9780748669486','ISBN:9780748669493']);This book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the mind. Reading between these parallel histories of mind and media reveals a dynamic conceptual, aesthetic and technological engagement with the moving image that, in turn, produces a new understanding of the production and circulation of the work of key nineteenth-century writers, such as Lord Byron, Walter Scott, Lewis Carroll, Charles Dickens and William Makepeace Thackeray. As Helen Groth shows, this engagement is both typical of the nineteenth-century in its preoccupation with questions of automatism and volition (unconscious and conscious thought), spirit and materiality, art and machine, but also definitively modern in its secular articulation of the instructive and entertaining applications of making images move both inside and outside the mind.Key FeaturesConsiders the impact of the dramatic transformations in print and visual culture on our understanding of the production, circulation and mediation of works by Byron, Scott, Thackeray, Carroll, Dickens, Mayhew and James, as well as lesser-known writers such as Ann and Jane Taylor, Pierce Egan, Countess Blessington, and George SimsProvides a new perspective on the conventional opposition of the early cinema of attractions to the immersive absorption of both nineteenth-century literary formations and later classical narrative cinema"

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)