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British Modernism and Chinoiserie / Anne Witchard.

By: Contributor(s): Material type: TextTextPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2015Description: 1 online resource (256 p.) : 18 B/W illustrations 10 colour illustrationsContent type:
Media type:
Carrier type:
ISBN:
  • 9780748690954
  • 9780748690961
Subject(s): DDC classification:
  • 700.9 23
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Acknowledgements -- List of Plates -- List of Figures -- Introduction: 'the lucid atmosphere of fine Cathay' -- Chapter 1 China and the Formation of the Modernist Aesthetic Ideal -- Chapter 2 Shared Affinities: Katherine Mansfield, Ling Shuhua and Virginia Woolf -- Chapter 3 Roger Fry, Chinese Art and The Burlington Magazine -- Chapter 4 Chinese Artistic Influences on the Vorticists in London -- Chapter 5 The Idea of the Chinese Garden and British Aesthetic Modernism -- Chapter 6 'Beautiful, baleful absurdity': Chinoiserie and Modernist Ballet -- Chapter 7 Fashion, Chinoiserie and Modernism -- Chapter 8 The Oriental and the Music Hall: Sound and Space in Thomas Burke's Limehouse Chinatown -- Chapter 9 Staging China, Excising the Chinese: Lady Precious Stream and the Darker Side of Chinoiserie -- Chapter 10 Chinoiserie: An Unrequited Architectural Affair -- Notes on Contributors -- Index
Summary: Explores Chinese artistic and stylistic influences on Modernist practice in early-twentieth century BritainGBS_insertPreviewButtonPopup(['ISBN:9780748690954','ISBN:9780748690961']);This volume examines the ways in which an intellectual vogue for a mythic China was a constituent element of British modernism. Traditionally defined as a decorative style that conjured a fanciful and idealized notion of China, chinoiserie was revived in in London's avant-garde circles, the Bloomsbury group, the Vorticists and others, who like their eighteenth-century forebears, turned to China as a cultural and aesthetic utopia. As part of Modernism's challenge to the 'universality' of so-called Western values and aesthetics, the turn to China would contribute much more than has been acknowledged to Modernist thinking. As these 10 new chapters demonstrate, China as an intellectual and aesthetic utopia dazzled intellectuals and aesthetes, at the same time the consumption of Chinese exoticism became commercialized. The essays show that from cutting-edge Modernist chic to mass culture and consumer products, the vogue for chinoiserie style and motifs permeated the art and design of the period. Key Features10 original chapters from leading international figures in the field, including Elizabeth Chang, David Porter and Patricia LaurenceIncludes 28 figures (10 in colour) to illustrate the textCoverage of literature, painting and poetry, as well as performance and visual media, theatre, fashion, film and dance, interior and garden design, Ideal Home and international exhibitions"
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780748690961

Frontmatter -- Contents -- Acknowledgements -- List of Plates -- List of Figures -- Introduction: 'the lucid atmosphere of fine Cathay' -- Chapter 1 China and the Formation of the Modernist Aesthetic Ideal -- Chapter 2 Shared Affinities: Katherine Mansfield, Ling Shuhua and Virginia Woolf -- Chapter 3 Roger Fry, Chinese Art and The Burlington Magazine -- Chapter 4 Chinese Artistic Influences on the Vorticists in London -- Chapter 5 The Idea of the Chinese Garden and British Aesthetic Modernism -- Chapter 6 'Beautiful, baleful absurdity': Chinoiserie and Modernist Ballet -- Chapter 7 Fashion, Chinoiserie and Modernism -- Chapter 8 The Oriental and the Music Hall: Sound and Space in Thomas Burke's Limehouse Chinatown -- Chapter 9 Staging China, Excising the Chinese: Lady Precious Stream and the Darker Side of Chinoiserie -- Chapter 10 Chinoiserie: An Unrequited Architectural Affair -- Notes on Contributors -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Explores Chinese artistic and stylistic influences on Modernist practice in early-twentieth century BritainGBS_insertPreviewButtonPopup(['ISBN:9780748690954','ISBN:9780748690961']);This volume examines the ways in which an intellectual vogue for a mythic China was a constituent element of British modernism. Traditionally defined as a decorative style that conjured a fanciful and idealized notion of China, chinoiserie was revived in in London's avant-garde circles, the Bloomsbury group, the Vorticists and others, who like their eighteenth-century forebears, turned to China as a cultural and aesthetic utopia. As part of Modernism's challenge to the 'universality' of so-called Western values and aesthetics, the turn to China would contribute much more than has been acknowledged to Modernist thinking. As these 10 new chapters demonstrate, China as an intellectual and aesthetic utopia dazzled intellectuals and aesthetes, at the same time the consumption of Chinese exoticism became commercialized. The essays show that from cutting-edge Modernist chic to mass culture and consumer products, the vogue for chinoiserie style and motifs permeated the art and design of the period. Key Features10 original chapters from leading international figures in the field, including Elizabeth Chang, David Porter and Patricia LaurenceIncludes 28 figures (10 in colour) to illustrate the textCoverage of literature, painting and poetry, as well as performance and visual media, theatre, fashion, film and dance, interior and garden design, Ideal Home and international exhibitions"

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)