From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition / Sarah Atkinson.
Material type:
TextPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2018Description: 1 online resource (288 p.) : 70 colour illustrationsContent type: - 9780748693580
- 9780748693597
- online - DeGruyter
| Item type | Current library | Call number | URL | Status | Notes | Barcode | |
|---|---|---|---|---|---|---|---|
eBook
|
Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9780748693597 |
Browsing Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino shelves, Shelving location: Nuvola online Close shelf browser (Hides shelf browser)
|
|
|
|
|
|
|
||
| online - DeGruyter Italian Horror Cinema / | online - DeGruyter Michael Mann - Cinema and Television : Interviews, 1980-2012 / | online - DeGruyter George Cukor : Hollywood Master / | online - DeGruyter From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition / | online - DeGruyter American Independent Cinema : Rites of Passage and the Crisis Image / | online - DeGruyter The Concept of the State in International Relations : Philosophy, Sovereignty and Cosmopolitanism / | online - DeGruyter The Consequences of Possession / |
Frontmatter -- Contents -- Acknowledgements -- Preface -- Tables and Figures -- CHAPTER 1 Digital Film Production Studies -- CHAPTER 2 Digital Film Production People -- CHAPTER 3 Digital Film Production Time -- CHAPTER 4 Digital Film Production Space -- CHAPTER 5 Digital Film Production Representations -- CHAPTER 6 Digital Film Production Preservation and Access -- CHAPTER 7 Epilogue -- Practitioner Filmography -- Ginger & Rosa Full Credit List -- Filmography -- Bibliography -- Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
Examines the practices of independent digital feature-filmmaking in contemporary BritainTo what extent have digital innovations transformed the UK film industry? What new practices and processes are emerging within the contemporary UK filmmaking landscape? What impact is this having upon filmmaking professionals?The business of conventional feature filmmaking is like no other, in that it assembles a huge company of people from a range of disciplines on a temporary basis, all to engage in the collaborative endeavour of producing a unique, one-off piece of work. By focusing on the pivotal year of 2012, and by considering the input of every single contributor to the process, this book illuminates how this period of analogue to digital transition is impacting upon working practices, cultures, opportunities and structures in the industry, and examines the various causative forces behind their adoptions and resistances. With an in-depth case study of Sally Potter’s 2012 film Ginger & Rosa, and drawing upon interviews with international film industry practitioners, From Film Practice to Data Process is a groundbreaking examination of film production in its totality, in a moment of profound change.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)

