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Independent Chinese Documentary : Alternative Visions, Alternative Publics / Dan Edwards.

By: Material type: TextTextSeries: Edinburgh Studies in East Asian Film : ESEAFPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2015Description: 1 online resource (216 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780748695621
  • 9780748695638
Subject(s): DDC classification:
  • 070.1/8 23
LOC classification:
  • PN1995.9.D6 E39 2015eb
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- List of Figures -- Acknowledgements -- A Note on Terminology -- Introduction -- 1 From Underground Practice to Alternative Public Sphere -- 2 A Public of Viewer-producers -- 3 Remembering the Past, Reclaiming History -- 4 The Right to be Public and a Public with Rights -- 5 The Ethics of Encounter in Chinese Documentary -- Afterword: Future Prospects for the Alternative Public Sphere of Independent Documentary -- Notes -- Glossary of Chinese Terms -- Filmography -- TV Series -- Bibliography -- Index
Summary: Analyses how independent documentaries are forging a new public sphere in today's ChinaSince the turn of the twenty-first century there has been an explosion in Chinese independent documentary filmmaking. But how are we to understand this vibrant burst of activity? Are these films brave expressions of dissidence, or do they point to a more complex attempt to expand the terms of public discourse in the People's Republic?This timely study is based on detailed interviews with Chinese documentary makers rarely available in English, and insights gained by the author while working as a journalist in Beijing. It considers the relationship between independent documentaries and China's official film and television sectors, exploring the ways in which independent films probe, question and challenge the dominant ideas and narratives circulating in the state-sanctioned public sphere. Detailed analyses of key contemporary documentaries reveal a sustained attempt to forge an alternative public sphere where the views and experiences of petitioners, AIDS sufferers, dispossessed farmers and the victims of Mao's repression can be publicly aired for a small, but steadily growing, public.Key Features:A detailed account of one of the world's most active, vibrant and challenging contemporary documentary sectors Draws extensively on first-hand interviews with filmmakers Offers in-depth, critical analyses of China's most challenging contemporary independent documentaries Discusses China's state-sanctioned film and television sectors to cast new light on how the official public sphere is shaped and guided by the state
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780748695638

Frontmatter -- Contents -- List of Figures -- Acknowledgements -- A Note on Terminology -- Introduction -- 1 From Underground Practice to Alternative Public Sphere -- 2 A Public of Viewer-producers -- 3 Remembering the Past, Reclaiming History -- 4 The Right to be Public and a Public with Rights -- 5 The Ethics of Encounter in Chinese Documentary -- Afterword: Future Prospects for the Alternative Public Sphere of Independent Documentary -- Notes -- Glossary of Chinese Terms -- Filmography -- TV Series -- Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Analyses how independent documentaries are forging a new public sphere in today's ChinaSince the turn of the twenty-first century there has been an explosion in Chinese independent documentary filmmaking. But how are we to understand this vibrant burst of activity? Are these films brave expressions of dissidence, or do they point to a more complex attempt to expand the terms of public discourse in the People's Republic?This timely study is based on detailed interviews with Chinese documentary makers rarely available in English, and insights gained by the author while working as a journalist in Beijing. It considers the relationship between independent documentaries and China's official film and television sectors, exploring the ways in which independent films probe, question and challenge the dominant ideas and narratives circulating in the state-sanctioned public sphere. Detailed analyses of key contemporary documentaries reveal a sustained attempt to forge an alternative public sphere where the views and experiences of petitioners, AIDS sufferers, dispossessed farmers and the victims of Mao's repression can be publicly aired for a small, but steadily growing, public.Key Features:A detailed account of one of the world's most active, vibrant and challenging contemporary documentary sectors Draws extensively on first-hand interviews with filmmakers Offers in-depth, critical analyses of China's most challenging contemporary independent documentaries Discusses China's state-sanctioned film and television sectors to cast new light on how the official public sphere is shaped and guided by the state

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)