On the Margins of Modernism : Xu Xu, Wumingshi and Popular Chinese Literature in the 1940s / Christopher Rosenmeier.
Material type:
TextSeries: Edinburgh East Asian Studies : EEASPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2017Description: 1 online resource (152 p.)Content type: - 9780748696369
- 9780748696376
- 895.109005 23
- PL2303 .R67 2017
- online - DeGruyter
| Item type | Current library | Call number | URL | Status | Notes | Barcode | |
|---|---|---|---|---|---|---|---|
eBook
|
Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9780748696376 |
Frontmatter -- Contents -- Acknowledgements -- 1 Introduction -- 2 Tradition and Hybridity in Shi Zhecun and Mu Shiying -- 3 Wartime Literature between Tradition and Modernity -- 4 Boundaries of the Real in Xu Xu’s Fiction -- 5 Wumingshi and the Wartime Romances -- 6 Opposition, Imitation, Adaptation and Diffusion in Popular Chinese Literature -- Bibliography -- Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
Introduces popular 1940s Chinese authors and explores their influence on Chinese literature Xu Xu and Wumingshi were among the most widely read authors in China during and after the Second Sino-Japanese War (1937-1945), but although they were an integral part of the Chinese literary scene their bestselling fiction has been given scant attention in histories of Chinese writing. This groundbreaking book, the first book-length study of Xu Xu and Wumingshi in English or any other western language, re-establishes their importance within the popular Chinese literature of the 1940s. With in-depth analyses of their innovative short stories and novels, Christopher Rosenmeier demonstrates how these important writers incorporated and adapted narrative techniques from Shanghai modernist writers like Shi Zhecun and Mu Shiying, contesting the view that modernism had little lasting impact in China and firmly positioning these two figures within the literature of their times.Fills a gap in Chinese literary historyFocuses on two of the most popular Chinese authors of the 1940sDevelops a wider argument about the influence of Shanghai modernism on Chinese wartime literature
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)

